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Best Poetry Archive – Kalyan Sundar Haldar

āĻŦāĻĻāϞ⧇ āϗ⧇āϛ⧇ āĻĻāĻŋāύ – āĻ•āĻ˛ā§āϝāĻžāĻŖ āϏ⧁āĻ¨ā§āĻĻāϰ āĻšāĻžāϞāĻĻāĻžāϰ

āĻĻāĻŋāύ āĻŦāĻĻāϞ⧇āϰ āĻĒāĻžāϞāĻž
āĻŽā§āϖ⧇ āϕ⧁āϞ⧁āĻĒ āϤāĻžāϞāĻž
āϏāĻŦāĻžāϰ āĻšāĻžāϤ⧇ āĻ•āĻžāĻ āĻŋ āĻ—āĻž āĻ•āϰ⧇ āϘāĻŋāύ āϘāĻŋāύ
āϏāĻ¨ā§āĻ§ā§āϝāĻž āύāĻžāĻŽāĻžāϰ āφāϗ⧇
āϚāĻžāρāĻĻ⧇āϰ āφāϞ⧋ āϜāĻžāϗ⧇
āĻŦāĻĻāϞ⧇ āϗ⧇āϛ⧇ āĻĻāĻŋāύ āϏāĻŦ āϚāϰāĻŋāĻ¤ā§āϰāĻšā§€āύāĨ¤

āĻœā§‹ā§ŽāĻ¸ā§āύāĻžāĻŽāĻžāĻ–āĻž āϰāĻžāϤ⧇
āĻŽāϝāĻŧāϞāĻž āĻĒāĻĄāĻŧ⧇ āĻ­āĻžāϤ⧇
āĻœā§€āĻŦāύ āĻ—āĻĄāĻŧāĻžāϰ āĻĒāĻĨ⧇ āĻļāĻŦā§āĻĻ āϝ⧇ āĻŽāϞāĻŋāύ
āϛ⧋āĻŸā§āϟ āĻĄā§‹āĻŦāĻžāϰ āĻĒāĻžāϰ⧇
āĻŦāĻĄāĻŧ āύāĻĻā§€āϰ āϧāĻžāϰ⧇
āĻŦāĻĻāϞ⧇ āϗ⧇āϛ⧇ āĻĻāĻŋāύ āĻœā§€āĻŦāύ āĻšāϞ⧋ āϞ⧀āύāĨ¤

āĻļāĻŦā§āĻĻāϗ⧁āϞāĻŋ āĻŦāĻžāρāĻ•āĻž
āĻ–āĻžāϤāĻžāϝāĻŧ āĻĻ⧇āĻ–āĻŋ āφāρāĻ•āĻž
āĻŦāĻ°ā§āĻŖāĻĒāϰāĻŋāϚāϝāĻŧ⧇āϰ āĻĒāĻžāϤāĻžāϝāĻŧ āĻŦāĻ°ā§āĻŖāϗ⧁āϞāĻŋ āĻāĻ•āĻž
āύāĻŋāσāĻ¸ā§āĻŦ āĻšāĻ“āϝāĻŧāĻžāϰ āĻĒāĻĨ⧇
āϜāĻ—āĻ¨ā§āύāĻžāĻĨ⧇āϰ āϰāĻĨ⧇
āĻŦāĻŋāĻŦ⧇āĻ• āύāĻŋāϝāĻŧ⧇ āĻŦāϏ⧇ āĻĒāĻžāϝāĻŧāύāĻž āĻ•āĻžāϰ⧋ āĻĻ⧇āĻ–āĻžāĨ¤

āϰāĻ™āĻŋāύ āĻ¸ā§āĻŦāĻĒā§āύ – āĻ•āĻ˛ā§āϝāĻžāĻŖ āϏ⧁āĻ¨ā§āĻĻāϰ āĻšāĻžāϞāĻĻāĻžāϰ

āĻœā§€āĻŦāύ āĻĻ⧇āϖ⧇āϛ⧇ āĻ•āϤ āĻ¸ā§āĻŦāĻĒā§āύ
āĻ¸ā§āĻŦāĻĒā§āύ āĻ—āĻŋāϝāĻŧ⧇āϛ⧇ āĻŽāϰ⧇
āĻ—āĻžāϙ⧁āϰ⧇āϰ āϜāϞ⧇ āĻ•āϞāĻžāϰ āϭ⧇āϞāĻžāϝāĻŧ
āϰāĻ•ā§āϤ āĻ—āĻŋāϝāĻŧ⧇āϛ⧇ āĻāϰ⧇āĨ¤

āϰāĻ•ā§āϤ āϜāĻŽāĻžāϟ āĻŦ⧇āρāϧ⧇āϛ⧇ āĻĻ⧇āĻšā§‡
āϏāĻŦ āϤ⧋ āĻšāϝāĻŧ⧇āϛ⧇ āϜāϞ
āĻŽā§‡āĻĻāĻšā§€āύ āĻĻ⧇āĻš āĻ•āĻ™ā§āĻ•āĻžāϞ āϏāĻžāϰ
āĻŦā§āϝāĻ°ā§āĻĨāϤāĻžāϰ āĻĢāϞāĻžāĻĢāϞāĨ¤

āϤāĻŦ⧁āĻ“ āĻœā§€āĻŦāύ āĻĒāĻžāϰ⧇āύāĻŋ āĻĒāĻžāϞāĻžāϤ⧇
āϏāϰāĻžāϤ⧇ āĻĒāĻžāϰ⧇āύāĻŋ āĻšā§‹āĻ–
āĻĒ⧃āĻĨāĻŋāĻŦā§€ āϘ⧁āϰāϛ⧇ āĻŽāύ⧇āϰ āϖ⧇āϝāĻŧāĻžāϞ⧇
āĻĒāĻžāĻŦ⧇ āĻŦāϞ⧇ āĻŦāĻĄāĻŧ āĻļā§‹āĻ•āĨ¤

āφāĻ•āĻžāĻļ⧇āϰ āϚāĻžāρāĻĻ – āĻ•āĻ˛ā§āϝāĻžāĻŖ āϏ⧁āĻ¨ā§āĻĻāϰ āĻšāĻžāϞāĻĻāĻžāϰ

āφāĻ•āĻžāĻļ⧇ āϚāĻžāρāĻĻ āĻ­āĻžāϏ⧇
āĻŽāĻŋāϟāĻŋ āĻŽāĻŋāϟāĻŋ āϤāĻžāϰāĻž āĻšāĻžāϏ⧇
āϏāĻžāĻŽāύ⧇ āĻ…āĻ¨ā§āϧāĻ•āĻžāϰ āĻšāĻžāϏāĻŋ āφāϜ āĻŦāĻĻā§āϧ
āϚāĻŋāϤāĻžāϰ āĻĒāĻžāĻļ⧇ āĻ•āĻžāϰāĻž āύāĻžāĻšā§‡
āφāύāĻ¨ā§āĻĻ⧇ āϤāĻžāϰāĻž āϖ⧁āĻŦ āĻŦāĻžāρāĻšā§‡
āĻĒāĻžāĻĨāϰ⧇āϰ āĻŦ⧁āϕ⧇ āϝāĻ¨ā§āĻ¤ā§āϰāĻŖāĻž āϕ⧇āρāĻĻ⧇ āϜāĻŦā§āĻĻāĨ¤

āϞāĻžāĻ­āĻž āφāϜ āĻ­āĻžāϰ⧀ āĻĒāĻžāĻĨāϰ
āϖ⧁āρāĻœā§‡ āĻĢ⧇āϰ⧇ āϏ⧇āχ āφāĻ–āϰ
āϏāĻŽāϝāĻŧ⧇āϰ āϏāĻžāĻĨ⧇ āϜāĻŽāĻžāϟ āĻŦ⧇āρāϧ⧇āϛ⧇ āύāĻŋāσāĻļā§āĻŦāĻžāϏ
āϭ⧇āϙ⧇ āϗ⧇āϛ⧇ āĻŦāĻžāϏāĻžāϟāĻžāχ
āϭ⧁āϞ⧇ āϗ⧇āϛ⧇ āϏāĻŦā§āĻŦāĻžāχ
āĻšāĻžāϰāĻŋāϝāĻŧ⧇āϛ⧇ āφāϜ āĻŦ⧁āĻ• āĻ­āϰāĻž āĻŦāĻŋāĻļā§āĻŦāĻžāϏāĨ¤

āϏāĻžāĻĻāĻž-āĻ•āĻžāϞ⧋ – āĻ•āĻ˛ā§āϝāĻžāĻŖ āϏ⧁āĻ¨ā§āĻĻāϰ āĻšāĻžāϞāĻĻāĻžāϰ

āϏāĻžāĻĻāĻž āĻŦāϕ⧇āϰ āĻŽā§‡āϞāĻž
āĻ­āĻžāϏāĻžāϝāĻŧ āϝāĻĻāĻŋ āϭ⧇āϞāĻž
āĻ•āϰāĻŋāϏ āύāĻžāϰ⧇ āĻšā§‡āϞāĻž
āĻŽā§āĻ•ā§āϤāĻŋ āύāĻŋāϝāĻŧ⧇ āϖ⧇āϞāĻžāĨ¤

āĻŽāĻ¨ā§āĻĻ āϤāĻŦ⧁ āĻ­āĻžāϞ⧋
āĻŦāĻ¨ā§āϧ āϘāϰ⧇ āφāϞ⧋
āĻ…āĻ¨ā§āϧ āĻŽāύ⧇ āĻ•āĻžāϞ⧋
āĻ›āĻ¨ā§āĻĻ āϘāϰ⧇ āĻœā§āĻŦāĻžāϞ⧋āĨ¤

āĻŦāĻŋāĻļā§āĻŦ āĻŽāύ⧇āϰ āϕ⧋āϪ⧇
āϜāĻžāĻ—āĻžāϝāĻŧ āĻĒā§āϰāϤāĻŋ āĻ•ā§āώāϪ⧇
āύāĻŋāσāĻ¸ā§āĻŦ āφāϜāĻŋ āĻŽāύ⧇
āĻ­ā§€āĻˇā§āĻŽ āφāϛ⧇ āĻĒāύ⧇āĨ¤

āύāĻĻā§€āϰ āĻĸ⧇āω āĻ…āĻļāĻžāĻ¨ā§āϤ
āύ⧌āϕ⧋ āĻŽāĻžāĻāĻŋ āĻ•ā§āϞāĻžāĻ¨ā§āϤ
āĻŽāύ⧇āϰ āĻĢ⧇āω āĻļāĻžāĻ¨ā§āϤ
āϞāĻ•ā§āĻˇā§āϝ āϝ⧇ āĻĻāĻŋāĻ•āĻ­ā§āϰāĻžāĻ¨ā§āϤāĨ¤

āĻĒāĻžāĻ–āĻŋ – āĻ•āĻ˛ā§āϝāĻžāĻŖ āϏ⧁āĻ¨ā§āĻĻāϰ āĻšāĻžāϞāĻĻāĻžāϰ

āĻĒāĻžāĻ–āĻŋāϕ⧇ āϕ⧇āω āĻ–āĻžāρāϚāĻžāϝāĻŧ āĻ­āϰāĻŋāϏ āύāĻž
āϏ⧁āϝ⧋āĻ— āĻ–ā§‹āρāĻœā§‡ āωāĻĄāĻŧ⧇ āϝāĻžāĻŦ⧇āχ āϚāϞ⧇
āĻ āĻŋāĻ• āϕ⧀ āύāĻž?
āĻŽāύ⧇āϰ āĻ–āĻžāρāϚāĻž āϤāĻĒā§āϤ āĻŦāĻžāϞ⧁ āĻšāĻŦ⧇
āĻļā§‚āĻ¨ā§āϝ āĻ–āĻžāρāϚāĻž āĻļā§‚āĻ¨ā§āϝ āĻĒāĻĄāĻŧ⧇ āϰāĻŦ⧇
āĻļā§‚āĻ¨ā§āϝ āĻ–āĻžāρāϚāĻž āĻ­āϰ⧇āϛ⧇ āϕ⧇ āĻ•āĻŦ⧇?

āĻœā§€āĻŦāύ āύāĻĻā§€ āĻšāĻŦ⧇ āĻœā§€āĻŦāύāĻšāĻžāϰāĻž
āĻ­āĻžāĻ™āĻŦ⧇ āύāĻžāϤ⧋ āϞ⧌āĻš āĻ•āĻĒāĻžāϟ āĻŽāĻžāύāĻŋ
āϏāĻ¤ā§āϝāĻŋ āϤāĻžāχ āύāϝāĻŧ āϕ⧀?
āĻļ⧁āĻ•āύ⧋ āϘāĻžāϏ⧇ āϤ⧈āϰāĻŋ āĻ•āϰāĻž āĻ›āĻŋāĻĒ
āĻ…āϚ⧈āϤāĻ¨ā§āϝ⧇ āĻ­āĻžāϰāĻžāĻ•ā§āϰāĻžāĻ¨ā§āϤ āĻœā§€āĻŦ
āφāĻŦāĻžāϰ,
āϚ⧈āϤāĻ¨ā§āϝ⧇ āĻ…āϟāϞ āĻĻ⧇āĻ–āĻŋ āĻļāĻŋāĻŦāĨ¤

āĻĻ⧇āĻļ āĻĒā§āϰ⧇āĻŽā§‡āϰ āĻŽāĻĄā§‡āϞ – āĻ•āĻ˛ā§āϝāĻžāĻŖ āϏ⧁āĻ¨ā§āĻĻāϰ āĻšāĻžāϞāĻĻāĻžāϰ

āĻĻ⧇āĻļ āĻĒā§āϰ⧇āĻŽā§‡āϰ āĻŽāĻĄā§‡āϞ āϗ⧁āϞ⧋
āϰāĻŋāĻ•ā§āϤ āĻļ⧇āϝāĻŧāĻžāϞ
āĻ•ā§āώ⧁āϧāĻžāϰ āĻĒ⧇āĻŸā§‡ āĻŦāĻ¨ā§āϝ āĻĒā§āϰāĻžāĻŖā§€āϰ
āĻ•ā§āώ⧁āĻŦā§āϧ āϖ⧇āϝāĻŧāĻžāϞāĨ¤

āĻŦ⧁āĻĻā§āϧāĻŋāĻœā§€āĻŦā§€āϰ āĻŦ⧁āĻĻā§āϧāĻŋ āύāĻžāĻļ⧇
āĻĻ⧇āĻļ āϰāϏāĻžāϤāϞ
āĻ§ā§āĻŦāĻ‚āϏ āĻŦāĻŋāĻŦ⧇āĻ• āϚāĻžāĻŽāĻšā§‡ āϗ⧁āϞ⧋
āϝāĻžāϝāĻŧ āϤāϞāĻžāϤāϞāĨ¤

āĻļā§€āϤāϞ āĻŦāĻžāϰāĻŋ āĻĒāĻžāϤāĻžāϞ āĻĢ⧁āρāĻĄāĻŧ⧇
āĻ•āϰāϤ⧇ āϏ⧃āϜāύ
āĻļ⧁āĻĻā§āϧāĻŋ āĻ•āϰāύ āĻ•āϰāĻŦ⧇ āϕ⧇āĻĄāĻž
āύāĻžāχ āĻŽāĻšāĻžāϜāύāĨ¤

āĻ…āĻ™ā§āϗ⧇ āϞāĻžāĻ—āĻžāĻ“ āĻŽāĻžāϟāĻŋāϰ āϧ⧁āϞ⧋
āĻļ⧁āĻĻā§āϧ āĻŽāύ⧇
āĻŦā§‹āĻĻā§āϧāĻžāϰāĻž āϏāĻŦ āĻŦ⧁āĻĻā§āϧāĻŋ āĻŦāĻžāύāĻžāĻ“
āϏāĻžāϧ⧁āϰ āϏāύ⧇āĨ¤

āĻ—āĻŖā§āĻĄāĻ—ā§‹āϞ – āĻ•āĻ˛ā§āϝāĻžāĻŖ āϏ⧁āĻ¨ā§āĻĻāϰ āĻšāĻžāϞāĻĻāĻžāϰ

āĻĻāĻŋāύ āϝāĻžāϝāĻŧ āĻĻāĻŋāύ⧇āϰ āĻļ⧇āώ⧇
āĻŽāĻžāύ⧁āώ āϕ⧇āύ āĻ—āϰ⧁āϰ āĻŦ⧇āĻļ⧇
āĻĻāĻžāρāϤ āϕ⧇āϞāĻžāύ⧋ āĻšāĻžāϏāĻŋ āĻšā§‡āϏ⧇
āĻļ⧁āϝāĻŧā§‹āϰ⧇āϰ āĻŦāĻžāĻšā§āϚāĻž āϗ⧁āϞ⧋
āĻŦāĻžāϧāĻžāϝāĻŧ āĻŦāĻšā§āϤ āĻ—āĻŖā§āĻĄāĻ—ā§‹āϞāĨ¤

āĻŦāĻŋāĻŦ⧇āĻ• āύ⧀āϤāĻŋ āϗ⧇āϞ āϕ⧋āĻĨāĻžāϝāĻŧ
āĻ›āĻĻā§āĻŽāĻŦ⧇āĻļ⧇ āĻ›āĻžāϤāĻžāϰ āϤāϞāĻžāϝāĻŧ
āĻ—āĻĻāĻŋāϰ āωāĻĒāϰ āύ⧇āϤāĻž āĻšā§‡āρāϚāĻžāϝāĻŧ
āϧ⧋āĻ•āĻž āĻŦāĻžāϜāĻŋ āĻšāĻŋāĻ‚āĻ¸ā§āϰ āύ⧇āĻļāĻžāϝāĻŧ
āĻļāĻŋāϰāĻžāϝāĻŧ āĻļāĻŋāϰāĻžāϝāĻŧ āĻ—āĻŖā§āĻĄāĻ—ā§‹āϞāĨ¤

āĻ—āĻ°ā§āĻœā§‡āϤ⧋ āĻ•āχ āĻ“āϠ⧇āύāĻž āϕ⧇āω
āϚāĻž āĻĻā§‹āĻ•āĻžāύ⧇ āϕ⧇āĻŦāϞāχ āĻ˜ā§‡āω
āĻŦāĻžāĻ˜ā§‡āϰ āĻĒāĻŋāϛ⧇ āύ⧇āχāϤ⧋ āĻĢ⧇āω
āĻ—āϞāĻŋāϰ āĻĒāĻĨ⧇ āĻĻ⧇āĻ–āĻŋ āĻšāĻŸā§āϟāĻ—ā§‹āϞ
āĻļāĻŋāĻ•ā§āώāĻž āĻšā§‹āϰ āĻœā§‡āϞ⧇ āĻŦāϏ⧇
āĻ–āĻžāĻšā§āϛ⧇ āĻĒāĻžāρāĻ āĻžāϰ āĻā§‹āϞāĨ¤

āϚāϞāϛ⧇ āĻĻāĻŋāύ – āĻ•āĻ˛ā§āϝāĻžāĻŖ āϏ⧁āĻ¨ā§āĻĻāϰ āĻšāĻžāϞāĻĻāĻžāϰ

āϏāĻŋāĻ•ā§āϤ āĻĒ⧇āϝāĻŧāĻžāϞāĻž āϰāĻŋāĻ•ā§āϤ āĻšāĻžāϤ⧇
āĻļāĻŋāωāϞāĻŋ āĻŦāϕ⧁āϞ āĻŽāĻĄāĻŧāĻžāϰ āĻ–āĻžāĻŸā§‡
āĻ—āĻžāĻŽāĻŦāĻžāĻŸā§‡āϰāĻž āĻĒ⧁āϰāĻžāύ⧋ āĻšāĻžāĻŸā§‡
āύāĻ—ā§āύ āώ⧋āĻĄāĻŧāĻļā§€ āύāĻžāϚāϛ⧇ āϰāĻžāϤ⧇
āĻāχāϤ⧋ āĻĻāĻŋāύ āϚāϞāĻŦ⧇ āĻĻāĻŋāύāĨ¤

āϏāĻžāϰāĻžāϟāĻŋ āĻĻāĻŋāύ āĻŽāĻ—āϜ āϧ⧋āϞāĻžāχ
āĻ­āĻŋāĻ•ā§āώāĻž āĻ—ā§āϰāĻšāĻŖ āĻŦāĻŋāĻŦ⧇āĻ• āϏ⧇āϞāĻžāχ
āϏāĻŦāĻžāϰ āωāĻĒāϰ⧇ āĻŦā§āϰāĻœā§‡āϰ āĻ•āĻžāύāĻžāχ
āϤāĻŦ⧁āĻ“ āĻšā§‹āϰ⧇ āĻŦāĻžāϜāĻžāϝāĻŧ āϏāĻžāύāĻžāχ
āĻāχāϤ⧋ āĻŽāϜāĻžāϰ āϚāϞāϛ⧇ āĻĻāĻŋāύāĨ¤

āĻšāĻžāĻĄāĻŧ āĻšāĻžāĻŦāĻžāϤ⧇ āĻŽāĻžāĻĨāĻž āĻŽā§‹āϟāĻž
āφāĻ¸ā§āϤ āĻĒ⧁āϕ⧁āϰ āĻ—āĻŋāϞāϛ⧇ āĻ—ā§‹āϟāĻž
āϕ⧁āϕ⧁āϰ āϗ⧁āϞ⧋ āĻŦāĻžāρāϧāϛ⧇ āϞ⧋āϟāĻž
āϜāĻ¨ā§āĻŽā§‡ āϧāĻŋāĻ•ā§ āϧāĻŋāĻ•āϰ⧇ āύ⧋āϟāĻž
āϚāϞāϛ⧇ āĻĻāĻŋāύ āϚāϞāĻŦ⧇ āĻĻāĻŋāύāĨ¤

āϜāĻŋāĻœā§āĻžāĻžāϏāĻž – āĻ•āĻ˛ā§āϝāĻžāĻŖ āϏ⧁āĻ¨ā§āĻĻāϰ āĻšāĻžāϞāĻĻāĻžāϰ

āĻŽāύ⧇āϰ āĻ…āĻ—ā§‹āϚāϰ⧇ āĻšā§ƒāĻĻāϝāĻŧ āφāĻ•āĻžāĻļ⧇
āϜāĻŽā§‡ āϝāĻžāϝāĻŧ āĻ•āĻŋāϛ⧁ āĻ­āĻžāώāĻž
āĻ•āϞāĻŽ āĻĒāĻŋāĻĒāĻžāϏ⧁ āĻŽāύ⧇āϰ āĻ•āϞāĻŽā§‡
āϞāĻŋāϖ⧇ āϝāĻžāχ āĻ•āĻžāρāĻĻāĻž-āĻšāĻžāϏāĻžāĨ¤

āĻ•āϤ āϜāĻžā§āϜāĻžāϞ āĻ•āϤ āĻŽāϝāĻŧāϞāĻž
āĻĒāĻĨ⧇āϰ āĻĻ⧁-āϧāĻžāϰ⧇ āĻĻ⧇āĻ–āĻŋ
āϏāĻŽāϝāĻŧ⧇āϰ āϤāĻžāϞ⧇ āϏāĻŽāϝāĻŧ āĻšāĻžāϰāĻžāϝāĻŧ
āĻ­āĻžāϞāĻŦāĻžāϏāĻž āĻļ⧁āϧ⧁ āĻŽā§‡āĻ•āĻŋāĨ¤

āϜāĻ¨ā§āĻŽ-āĻŽā§ƒāĻ¤ā§āϝ⧁ āĻœā§€āĻŦāύ⧇āϰ āĻĻ⧁āχ āϧāĻžāϰ⧇
āĻŽāĻžāĻā§‡ āĻ•āϟāĻž āĻĻāĻŋāύ āĻŦāĻžāρāϚāĻž
āϰāĻ™āĻŋāύ āĻŽāĻĻ⧇āϰ āϠ⧁āύāϕ⧋ āĻĒ⧇āϝāĻŧāĻžāϞāĻžāϝāĻŧ
āϚ⧁āĻŽā§āĻ• āĻĻāĻŋāϝāĻŧ⧇ āĻļ⧁āϧ⧁ āύāĻžāϚāĻžāĨ¤

āϞāĻžāϭ⧇āϰ āĻ–āĻžāϤāĻžāϝāĻŧ āϞ⧋āĻ•āϏāĻžāύ āϕ⧇āύ
āĻšāĻŋāϏāĻžāĻŦ⧇āϰ āĻ–āĻžāϤāĻž āĻŦāϞ⧇
āϧāĻŋāĻ•ā§āĻ•āĻžāϰ⧇ āφāϜ āĻŦāύ⧇āϰāĻž āĻĒāĻļ⧁āϰāĻž
āĻļāĻŋāĻ•ā§āώāĻž āĻšāĻžāϰāĻž āĻĒā§āϰāϤāĻŋ āĻĒāϞ⧇āĨ¤

āĻ¸ā§āĻŦāĻĒā§āύ āĻšā§‹āϰ – āĻ•āĻ˛ā§āϝāĻžāĻŖ āϏ⧁āĻ¨ā§āĻĻāϰ āĻšāĻžāϞāĻĻāĻžāϰ

āϛ⧋āĻŸā§āϟ āĻŽāĻĻāύ āĻĒāϕ⧇āϟ āĻ•āĻžāĻŸā§‡ āĻŦāĻžāĻŦāĻžāϰ āĻĒāϕ⧇āϟ
āĻ­āĻžāχ āĻŦā§‹āύ⧇āϰāĻž āϏāĻžāĻŽāϞ⧇ āϰāĻžāϖ⧇ āĻ—āϞāĻžāϰ āϞāϕ⧇āϟ,
āχāϏāϕ⧁āϞ⧇āϤ⧇ āĻĒ⧇āύ āϚ⧁āϰāĻŋ āφāϰ āĻ–āĻžāϤāĻž āϚ⧁āϰāĻŋ
āĻŽāĻĻāύ āϏ⧋āύāĻž āĻāĻ•āĻžāχ āĻ•āϰ⧇ āύ⧇āχāϤ⧋ āϜ⧁āĻĄāĻŧāĻŋāĨ¤
āϕ⧁āĻĄāĻŧāϕ⧁āĻĄāĻŧāĻžāϕ⧁āĻĄāĻŧ āϕ⧁āĻĄāĻŧāĻžāϕ⧁āĻĄāĻŧ āϕ⧁āĻĄāĻŧāϕ⧁āĻĄāĻŧāĻžāϕ⧁āĻĄāĻŧāĨ¤āĨ¤

āϝ⧌āĻŦāύ⧇ āϏ⧇ āĻŦāĻžāĻŦāĻžāϰ āĻ•āĻĨāĻž āύ⧇āϝāĻŧāύāĻŋ āĻŽā§‹āĻŸā§‡
āĻĒ⧁āϕ⧁āϰ āϚ⧁āϰāĻŋ āĻ•āϰāĻŦ⧇ āĻŦāϞ⧇ āĻĻāĻžāρāĻĄāĻŧāĻžāϝāĻŧ āĻ­ā§‹āĻŸā§‡,
āĻ…āĻŽā§āϞ -āĻŽāϧ⧁āϰ āϏāĻ¨ā§āĻ§ā§āϝāĻž āĻŦ⧇āϞāĻžāϝāĻŧ āϰ⧂āĻĒāϏ⧀ āύāĻŋāϝāĻŧ⧇
āĻŦāĻžāĻ‚āϞāĻž āĻŽāĻĻ⧇ āφāϏāϰ āϜāĻŽāĻžāϝāĻŧ āĻšā§‹āĻŸā§‡āϞ⧇ āĻ—āĻŋāϝāĻŧ⧇āĨ¤
āϕ⧁āĻĄāĻŧāϕ⧁āĻĄāĻŧāĻžāϕ⧁āĻĄāĻŧ āϕ⧁āĻĄāĻŧāĻžāϕ⧁āĻĄāĻŧ āϕ⧁āĻĄāĻŧāϕ⧁āĻĄāĻŧāĻžāϕ⧁āĻĄāĻŧāĨ¤āĨ¤

āĻŽāĻĻāύ āĻšā§‹āϰāĻž āĻĻ⧁-āĻ•āĻžāύ āĻ•āĻžāϟāĻž āϏāĻŦāĻžāχ āϜāĻžāύ⧇
āϏāĻŦ āĻ•āĻĨāĻžāϟāĻŋ āĻšā§‡āϏ⧇ āĻ“āĻĄāĻŧāĻžāϝāĻŧ āĻŦāĻŋāĻœā§āĻž āĻœā§āĻžāĻžāύ⧇,
āϏāĻ™ā§āϗ⧇ āφāϰ⧋ āϜ⧁āϟāϞ āĻĻ⧇āĻ–āĻŋ āĻŽāĻžāϤāĻžāϞ āĻ•āϜāύ
āύ⧌āĻ•āĻž āĻŦāĻŋāĻšāĻžāϰ āĻ“ āĻŽāĻžāχ āĻĄāĻŋāϝāĻŧāĻžāϰ āĻāϰāĻžāχ āϏ⧁āϜāύāĨ¤
āϕ⧁āĻĄāĻŧāϕ⧁āĻĄāĻŧāĻžāϕ⧁āĻĄāĻŧ āϕ⧁āĻĄāĻŧāĻžāϕ⧁āĻĄāĻŧ āϕ⧁āĻĄāĻŧāϕ⧁āĻĄāĻŧāĻžāϕ⧁āĻĄāĻŧāĨ¤āĨ¤

āĻ—āϞāĻžāĻŦāĻžāϜāĻŋ āϤ⧋āϞāĻžāĻŦāĻžāϜāĻŋ āĻŽāĻĻāύāĻž āĻ•āϰ⧇
āĻŦāĻŋāϝāĻŧ⧇āϰ āĻĒāĻŋāρāĻĄāĻŧāĻŋ āĻŦāϏāĻŦ⧇ āύāĻž āϏ⧇ āϛ⧁āϤ⧋ āϧāϰ⧇,
āĻŦ⧃āĻĻā§āϧ āĻĒāĻŋāϤāĻžāϰ āĻšā§‹āϖ⧇āϰ āϜāϞ⧇ āĻ¸ā§āĻŦāĻĒā§āύ āϗ⧁āϞ⧋
āĻŽāĻžāϝāĻŧ⧇āϰ āĻ¸ā§āĻŦāĻĒā§āύ āϟ⧁āĻ•āϰ⧋ āĻšāϝāĻŧ⧇ āĻšāϞ āϧ⧁āϞ⧋āĨ¤
āϕ⧁āĻĄāĻŧāϕ⧁āĻĄāĻŧāĻžāϕ⧁āĻĄāĻŧ āϕ⧁āĻĄāĻŧāĻžāϕ⧁āĻĄāĻŧ āϕ⧁āĻĄāĻŧāϕ⧁āĻĄāĻŧāĻžāϕ⧁āĻĄāĻŧāĨ¤āĨ¤

āφāχāύ āĻŦāĻžāĻŦ⧁ āφāχāύ āĻĻāĻŋāϝāĻŧ⧇ āϧāϰāϞ āϜāĻžāϞ⧇
āĻŽāĻĻāύ āĻšā§‹āϰāĻž āĻŦāĻ¨ā§āϧ⧁ āύāĻŋāϝāĻŧ⧇ āĻœā§‡āϞ⧇āϰ āϘāĻžāϞ⧇,
āĻāĻ–āύ āĻĻ⧇āĻ–āĻŋ āĻ•āĻžāρāĻĻāϛ⧇ āĻŦāϏ⧇ āύāĻŋāσāĻ¸ā§āĻŦ āĻĒāĻŋāϤāĻž
āĻ•āĻžāĻ¨ā§āύāĻž-āĻšāĻžāϏāĻŋāϰ āĻ¸ā§āĻŦāĻĒā§āύ⧇ āĻĻā§‹āϞ⧇ āĻŦāĻŋāĻļā§āĻŦ āĻĒāĻŋāϤāĻžāĨ¤
āϕ⧁āĻĄāĻŧāϕ⧁āĻĄāĻŧāĻžāϕ⧁āĻĄāĻŧ āϕ⧁āĻĄāĻŧāĻžāϕ⧁āĻĄāĻŧ āϕ⧁āĻĄāĻŧāϕ⧁āĻĄāĻŧāĻžāϕ⧁āĻĄāĻŧāĨ¤āĨ¤

āĻĒāĻžā§āϚāϰāϏ – āĻ•āĻ˛ā§āϝāĻžāĻŖ āϏ⧁āĻ¨ā§āĻĻāϰ āĻšāĻžāϞāĻĻāĻžāϰ

āĻļāĻžāĻ¨ā§āϤ āϰāϏ⧇ āĻĻāĻžāĻ¸ā§āϝ āĻ–āϤ⧇
āϏāĻ–ā§āϝ āĻĒā§āϰ⧇āĻŽ āύāĻŋāϧāĻŋ
āĻŦāĻžā§ŽāϏāĻ˛ā§āϝ āĻŦāϏ⧇ āĻŽāϧ⧁āϰ āϰāϏ⧇
āĻĒā§āϰ⧇āĻŽ āĻļāĻŋāĻ–āĻžāϞ āĻŦāĻŋāϧāĻŋāĨ¤

āύāĻŋāĻ¤ā§āϝ āĻ…āϤ⧀āϤ āĻ—ā§Œāϰ āĻĒāϤāĻŋāϤ
āϕ⧋āϞ āĻĻāĻŋāϝāĻŧ⧇āϛ⧇ āĻ­āĻžāϞ
āĻŽāϧ⧁āϰ āĻĒāĻŋāϰ⧀āϤ āĻšāϝāĻŧ āϗ⧁āĻŖāĻžāϤ⧀āϤ
āĻĒā§āϰ⧇āĻŽā§‡āϰ āφāϗ⧁āύ āĻœā§āĻŦāĻžāϞ⧋āĨ¤

āĻ—ā§Œāϰ āϚāϰāĻŖ āĻ•āϰāĻš āĻ¸ā§āĻŽāϰāĻŖ
āĻ—ā§Œāϰ āĻ•āϰāĻŋāĻŦ⧇ āφāĻļ
āĻ—ā§Œāϰ⧇āϰ āφāϗ⧇ āĻĻ⧇āĻ– āĻĒ⧁āϰ⧋āĻ­āĻžāϗ⧇
āĻ—ā§Œāϰ āĻŦāĻžāϰ⧋ āĻŽāĻžāϏāĨ¤

āύāĻŋāĻ¤ā§āϝ āϞ⧀āϞāĻžāϝāĻŧ āĻ—ā§Œāϰ āϖ⧇āϞāĻžāϝāĻŧ
āĻ—ā§Œāϰ āφāĻĒāύ āϜāύ
āĻ—ā§Œāϰ⧇āϰ āĻĒā§āϰ⧇āĻŽ āĻ…āĻ­āĻŋāύāĻŦ āĻšā§‡āĻŽ
āύāĻŋāϕ⧁āĻžā§āϜ āĻ•āĻžāύāύāĨ¤

āĻļāϖ⧇āϰ āϰāĻžāϜāĻž – āĻ•āĻ˛ā§āϝāĻžāĻŖ āϏ⧁āĻ¨ā§āĻĻāϰ āĻšāĻžāϞāĻĻāĻžāϰ

āφāϜāϕ⧇ āφāĻŽāĻŋ āĻļāϖ⧇āϰ āϰāĻžāϜāĻž
āϏāĻ­ā§āϝāϤāĻžāϕ⧇ āϚāĻŽāĻ•āĻžāĻŦ
āĻĒāĻžāĻŦ⧇ āϝāĻžāϰāĻž āϭ⧁āϞ⧇āϰ āύāĻžāĻ—āĻžāϞ
āϏ⧇āĻĒāĻžāχ āĻĻāĻŋāϝāĻŧ⧇ āϧāĻŽāĻ•āĻžāĻŦāĨ¤

āϚāϞāĻŦ āφāĻŽāĻŋ āϖ⧇āϝāĻŧāĻžāϞ āϖ⧁āĻļāĻŋ
āύāĻŋāϝāĻŧāĻŽ āύ⧀āϤāĻŋ āĻŽāĻžāύāĻŦ āύāĻž
āĻļ⧁āύāĻŦ⧇ āϏāĻŦāĻžāχ āφāĻŽāĻžāϰ āĻ•āĻĨāĻž
āĻĻ⧁āĻ–ā§€ āĻŽāĻžāύ⧁āώ āϰāĻžāĻ–āĻŦ āύāĻžāĨ¤

āĻ­āĻŋāĻ•ā§āώāĻž āĻ•āϰ⧇āχ āĻ­āĻŋāĻ•ā§āώāĻž āĻĻ⧇āĻŦ
āĻļāĻŋāĻ•ā§āώāĻž āĻšāĻžāϰāĻžāĻ• āϜāύāϤāĻž
āĻĻā§€āĻ•ā§āώāĻž āĻĒāĻžāĻŦ⧇ āĻļāĻŋāĻˇā§āϝ āϗ⧁āϞ⧋
āĻļāĻŋāĻ–āĻŦ⧇ āĻĻ⧇āϖ⧇ āĻ•ā§āώāĻŽāϤāĻžāĨ¤

āĻ…āϝ⧋āĻ—ā§āϝāĻĻ⧇āϰ āϚāĻžāĻ•āϰ⧀ āĻĻ⧇āĻŦ
āϝ⧋āĻ—ā§āϝāϰāĻž āĻĨāĻžāĻ• āĻĒāĻĨ⧇
āφāĻŽāϞāĻž āϗ⧁āϞ⧋ āĻ—āĻžāĻŽāϞāĻž āĻ­āϰ⧇
āϚāϞāĻŦ⧇ āφāĻŽāĻžāϰ āĻŽāϤ⧇āĨ¤

āϰāĻžāϜāϤāĻ¨ā§āĻ¤ā§āϰ āĻ•āϰāĻŦ āĻ•āĻžāϝāĻŧ⧇āĻŽ
āϜāύāĻ—āĻŖ āϏāĻŦ āĻĢ⧇āϞāύāĻž
āĻ­ā§‹āĻŸā§‡āϰ āϏāĻŽāϝāĻŧ āĻĻ⧁-āϚāĻžāϰ āφāύāĻž
āĻŦāĻžāϜāĻŋāĻ•āϰ⧇āϰ āϖ⧇āϞāύāĻžāĨ¤

āϏ⧃āĻˇā§āϟāĻŋ āĻ›āĻžāĻĄāĻŧāĻž āϚāĻŋāĻ¨ā§āϤāĻž āĻ•āϰāĻŋ
āĻŦ⧃āĻˇā§āϟāĻŋ āφāύāĻŋ āĻŽā§‡āϘ āĻĄā§‡āϕ⧇
āĻ•ā§ƒāĻˇā§āϟāĻŋ āϗ⧁āϞ⧋ āĻĒāĻžāĻ˛ā§āϞāĻžāϝāĻŧ āĻ­āϰāĻŋ
āĻļ⧁āĻ­ āĻŦ⧁āĻĻā§āϧāĻŋ āϝāĻžāĻ• āĻŦ⧇āρāϕ⧇āĨ¤

āϧāĻžāĻ¨ā§āĻĻāĻžāĻŦāĻžāϜāĻŋ āĻ•āϰāĻŦ āĻļ⧁āϧ⧁
āĻ—āĻžāρāϜāĻžāϰ āύ⧇āĻļāĻžāϝāĻŧ āĻŦ⧁āρāĻĻ āĻĨāĻžāĻ•āĻŋ
āĻĒāĻžā§āϜāĻŋāĻ•āĻžāϟāĻŋ āϞāĻŋāĻ–āĻŦ āĻŦāϞ⧇
āĻ—āĻžā§āϜāĻŋāĻ•āĻžāϤ⧇ āĻŽāύ āϰāĻžāĻ–āĻŋāĨ¤

āφāĻĻāϰ⧇āϰ āĻŦā§‹āύ – āĻ•āĻ˛ā§āϝāĻžāĻŖ āϏ⧁āĻ¨ā§āĻĻāϰ āĻšāĻžāϞāĻĻāĻžāϰ

āĻāĻ°ā§āĻŖāĻž āϧāĻžāϰāĻžāϝāĻŧ āĻœā§āĻ¯ā§‹ā§ŽāĻ¸ā§āύāĻž āĻŽāĻžāϝāĻŧāĻžāϝāĻŧ
āĻŽāĻŋāĻˇā§āϟāĻŋ āĻŽā§āϖ⧇āϰ āϏ⧁āϧāĻž
āϏ⧁āϧāĻžāϰ āϧāĻžāϰāĻžāϝāĻŧ āϜāĻ—ā§Ž āĻšāĻžāϰāĻžāϝāĻŧ
āϚāĻžāϤāĻ• āĻŦāĻžāĻĄāĻŧāĻžāϝāĻŧ āĻ•ā§āώ⧁āϧāĻžāĨ¤

āĻ…āϏ⧀āĻŽ āφāĻ•āĻžāĻļ āĻŽāϞāϝāĻŧ āĻŦāĻžāϤāĻžāϏ
āϏ⧃āĻˇā§āϟāĻŋ āϚāĻŽāϕ⧇ āϧāĻžāϝāĻŧ
āĻĒāĻžāĻšāĻžāĻĄāĻŧ āĻĄāĻžāϕ⧇ āϏāĻžāĻ—āϰ āĻŽāĻžāϕ⧇
āĻŽāϰ⧁ āĻĨāĻŽāϕ⧇ āϝāĻžāϝāĻŧāĨ¤

āĻšā§‹āϖ⧇āϰ āĻ­āĻžāϏāĻžāϝāĻŧ āĻ…āύ⧇āĻ• āĻ•āĻžāρāĻĻāĻžāϝāĻŧ
āĻ•āĻĨāĻžāϰ āĻŽāĻžāĻā§‡ āĻšāĻžāϏāĻŋ
āĻšā§ƒāĻĻāϝāĻŧ āĻŽāĻžāĻā§‡ āϏāĻ•āĻžāϞ āϏāĻžāρāĻā§‡
āĻŦā§‹āύāϕ⧇āχ āĻ­āĻžāϞāĻŦāĻžāϏāĻŋāĨ¤

āĻ ā§‹āρāĻŸā§‡āϰ āĻŽāĻžāĻā§‡ āϞāĻžāϞ⧇āϰ āĻ–āĻžāρāĻœā§‡
āύāĻž āĻŦāϞāĻž āĻ…āύ⧇āĻ• āĻ•āĻĨāĻž
āĻŽāύ⧇āϤ⧇ āϜāĻŽāĻžāĻ“ āĻāĻ•āϟ⧁ āĻ•āĻŽāĻžāĻ“
āĻšāĻžāĻ˛ā§āĻ•āĻž āĻšāĻŦ⧇āχ āĻŦā§āϝāĻĨāĻžāĨ¤

āĻļāĻŋāĻļāĻŋāϰ āĻŦāĻŋāĻ¨ā§āĻĻ⧁ āĻĒāĻžāχāϞ⧇ āϏāĻŋāĻ¨ā§āϧ⧁
āϝ⧇āĻŽāύ āĻŦ⧁āϕ⧇āϤ⧇ āϰāĻžāϖ⧇
āĻšāĻŋāĻŽāĻžāϞāϝāĻŧ āϜāĻžāύ⧇ āĻŦāϞāĻŋ āϤāĻžāϰ āĻ•āĻžāύ⧇
āĻ­āĻžāϞ⧋ āϰ⧇āĻ–ā§‹ āĻļ⧁āϧ⧁ āĻŽāĻžāϕ⧇āĨ¤

āϰāĻžāϤ āϜāĻžāĻ—āĻž āĻĒāĻžāĻ–āĻŋ – āĻ•āĻ˛ā§āϝāĻžāĻŖ āϏ⧁āĻ¨ā§āĻĻāϰ āĻšāĻžāϞāĻĻāĻžāϰ

āĻŦāĻŋāĻŦ⧇āϕ⧇āϰ āϚ⧌āĻ•āĻžāϠ⧇ āĻŦāϏ⧇ āĻĻāĻŋāύ āϝāĻžāϝāĻŧ
āϰāĻžāϤ āϜāĻžāϗ⧇ āĻāĻ•āĻžāϕ⧀āĻ¤ā§āĻŦ

āϤ⧁āĻŽāĻŋ āφāϏāĻŦ⧇ āĻŦāϞ⧇ āĻāĻ–āύ⧋ āĻĢā§‹āĻŸā§‡āύāĻŋ āϰāϜāύ⧀āĻ—āĻ¨ā§āϧāĻž
āϏ⧁āĻŦāĻžāϏ āĻ›āĻžāĻĄāĻŧ⧇āύāĻŋ āϤāĻžāχ

āϕ⧋āĻ•āĻŋāϞ⧇āϰ āĻĄāĻžāĻ• āĻŦāĻ¨ā§āϧ āĻšāϞ āĻāĻ•āϟ⧁ āφāϗ⧇
āĻ•āĻˇā§āĻŸā§‡āϰ āĻŦāĻžāϰ⧋āĻŽāĻžāĻ¸ā§āϝāĻž āĻ…āĻŦā§āϝāĻžāĻšāϤ

āϤ⧁āĻŽāĻŋ āφāϏāĻŦ⧇ āĻŦāϞ⧇ āϚāĻžāρāĻĻ āĻ“āϠ⧇āύāĻŋ āĻāĻ–āύāĻ“
āĻŦāϏāĻ¨ā§āϤ āĻ•āĻˇā§āĻŸā§‡ āϘ⧁āĻŽāĻžāϝāĻŧ

āĻāϤ āĻŦāĻĄāĻŧ āφāĻ•āĻžāĻļ⧇āϰ āĻŦ⧁āĻ• āĻ–āĻžāϞāĻŋ āĻ•āϰ⧇ āφāϜāĻ“
āύāĻŋāϰ⧁āĻĻā§āĻĻ⧇āĻļ⧇āϰ āĻĒāĻĨ⧇ āϚāĻžāρāĻĻ

āϤāĻžāχ—–
āĻœā§‹āĻ›āύāĻž āĻĒāĻžāϝāĻŧāύāĻŋ āĻĒ⧃āĻĨāĻŋāĻŦā§€

āĻ•āĻŦāĻŋāϰ āĻ•āϞāĻŽ āĻĨ⧇āĻŽā§‡ āϗ⧇āϛ⧇ āĻĒā§āϰāϤ⧀āĻ•ā§āώāĻžāϤ⧇
āĻŽā§‡āĻ˜ā§‡āϰ āϰāĻžāĻļāĻŋ āφāĻ•āĻžāĻļ⧇āϰ āĻŦ⧁āϕ⧇ āϜāĻŽā§‡āϛ⧇ āĻ…āύ⧇āĻ•
āϜāĻŽāĻžāϟ āĻŦ⧇āρāϧ⧇ āĻ­āĻžāϰ⧀

āĻŦ⧃āĻˇā§āϟāĻŋ āĻšāϝāĻŧāύāĻŋ — āĻšāϤāĻžāĻļāĻžāϝāĻŧ āϰāĻžāϤ āϜāĻžāϗ⧇ āĻĻ⧁āϟāĻŋ āĻšā§‹āĻ– āĨ¤

āĻĒā§āϰ⧇āĻŽ āϝāĻŽā§āύāĻž āϘāĻžāĻŸā§‡ – āĻ•āĻ˛ā§āϝāĻžāĻŖ āϏ⧁āĻ¨ā§āĻĻāϰ āĻšāĻžāϞāĻĻāĻžāϰ

āĻĒā§āϰ⧇āĻŽ āϝāĻŽā§āύāĻžāϰ āϘāĻžāĻŸā§‡
āĻŦāϏ⧇ āφāϛ⧇ āĻŦāĻžāĻŽā§āĻŦāĻŸā§‡
āĻĒāĻŋāĻ›āϞ āύāĻĻā§€āϰ āĻŦāĻžāρāϕ⧇
āĻĒā§āϰ⧇āĻŽ āĻ–āĻžāϞāĻŋ āĻšāϝāĻŧ āĻāĻžāρāϕ⧇
āĻĒ⧌āρāϛ⧇ āϗ⧇āϞāĻžāĻŽ āώāĻžāĻŸā§‡āĨ¤

āĻāĻŦāĻžāϰ āĻ…āĻļā§āϰ⧁ āϧāĻžāϰāĻž
āφāϗ⧇ āĻĒāĻŋāϛ⧇ āĻ•āĻžāϰāĻž
āĻŽāϞāĻžāϟ āĻšāϞ āĻŽāϞāĻŋāύ
āĻ¸ā§āĻŦāĻĒā§āύ āϗ⧁āϞ⧋ āĻŦāĻŋāϞ⧀āύ
āĻœā§€āĻŦāύ āύāĻĻā§€āϰ āĻšāĻžāĻŸā§‡ āĨ¤

āϝ⧁āĻĻā§āϧ⧇ āĻšā§‡āϰ⧇ āϏ⧈āύāĻŋāĻ•
āĻ…āϤ⧀āϤ āĻ­āĻžāĻŦ⧇ āĻĻ⧈āύāĻŋāĻ•
āĻāχāϤ⧋ āϏ⧇āĻĻāĻŋāύ āĻāϏ⧇
āϏāĻ™ āĻšāϝāĻŧ⧇āĻ›āĻŋ āĻ•āώ⧇
āĻšā§‡āϝāĻŧ⧇ āφāĻ›āĻŋ āϚ⧌āĻ•āĻžāϠ⧇ āĨ¤

āϕ⧇āω āύāĻšā§‡ āĻĒā§‚āĻ°ā§āĻŖ āφāύāĻž
āĻĒ⧇āϤ⧇ āϚāĻžāχ āώ⧋āϞ āφāύāĻž
āĻĒ⧇āϤāĻžāĻŽ āϝāĻĻāĻŋ āĻŦāĻžāϰ⧋ āφāύāĻž
āĻĻāĻŋāϤ āύāĻž āφāϰ āĻšā§‹āϰ⧇ āĻšāĻžāύāĻž
āĻāĻ–āύ āĻ…āĻ¸ā§āϤāĻžāϚāϞ⧇āϰ āĻŽāĻžāϠ⧇ āĨ¤

āĻĸ⧇āωāϝāĻŧ⧇āϰ āϤāĻžāϞ⧇ – āĻ•āĻ˛ā§āϝāĻžāĻŖ āϏ⧁āĻ¨ā§āĻĻāϰ āĻšāĻžāϞāĻĻāĻžāϰ

āĻĸ⧇āω āωāϠ⧇āϛ⧇ āύāĻĻā§€āϰ āϜāϞ⧇
āĻĸ⧇āω āϞ⧇āϗ⧇āϛ⧇ āϕ⧂āϞ⧇
āĻĸ⧇āω āϞ⧇āϗ⧇āϛ⧇ āĻĄāĻžāĻ™āĻžāϝāĻŧ āĻĻ⧇āĻ–āĻŋ
āĻĸ⧇āω āϤ⧋ āĻ›āĻŋāĻ¨ā§āύ āĻŽā§‚āϞ⧇āĨ¤

āϏāĻžāĻ—āϰ āϜāϞ⧇ āφāĻ›āĻžāĻĄāĻŧ āϖ⧇āϝāĻŧ⧇
āĻĸ⧇āω āωāϠ⧇āϛ⧇ āĻĢ⧁āϞ⧇
āύāĻĻā§€āϰ āϜāϞ⧇ āϤ⧁āĻĢāĻžāύ āĻāϞ
āϤāϰ⧀āϕ⧇ āϗ⧇āϞ āϭ⧁āϞ⧇āĨ¤

āĻŽāĻžāĻāĻŋāϰ āĻšāĻžāϤ⧇ āϛ⧋āĻŸā§āϟ āϤāϰ⧀
āĻāĻ•āϞāĻž āϘāϰ⧇ āĻŽāĻž
āĻĒ⧇āĻŸā§‡āϰ āĻœā§āĻŦāĻžāϞāĻž āĻŦāĻĄāĻŧ āĻœā§āĻŦāĻžāϞāĻž
āϏāĻ™ā§āĻ— āĻĻāĻŋāĻšā§āϛ⧇ āύāĻžāĨ¤

āĻ¸ā§āĻŦāĻĒā§āύ – āĻ•āĻ˛ā§āϝāĻžāĻŖ āϏ⧁āĻ¨ā§āĻĻāϰ āĻšāĻžāϞāĻĻāĻžāϰ

āĻ¸ā§āĻŦāĻĒā§āύ āϗ⧇āϛ⧇ āωāĻĄāĻŧ⧇
āĻ¸ā§āĻŦāĻĒā§āύ āϗ⧇āϛ⧇ āĻ…āϚāĻŋāύāĻĒ⧁āϰ⧇
āĻ…āϧāϰāĻžāϕ⧇ āϝāĻžāϝāĻŧāύāĻž āϧāϰāĻž
āĻŽā§āĻ–āϟāĻž āϗ⧇āϞ āĻĒ⧁āĻĄāĻŧ⧇āĨ¤

āĻĻ⧇āĻ–āĻŋ āĻ—āϞāĻŋāϰ āĻŦāĻžāρāϕ⧇
āĻ•āϤ āĻ¸ā§āĻŦāĻĒā§āύ āĻŽā§āĻ– āĻĨ⧁āĻŦāĻĄāĻŧ⧇
āϚ⧁āĻŽā§āĻŦāύ āĻļ⧁āϧ⧁ āĻŽāĻžāϟāĻŋāϰ āĻŦ⧁āϕ⧇
āύāϤ⧁āύ āϚāĻŋāĻ¤ā§āϰ āφāρāϕ⧇āĨ¤

āĻ…āϏāĻ­ā§āϝāϰāĻž āϏāĻ­ā§āϝ āϏ⧇āĻœā§‡
āĻ ā§‹āρāĻŸā§‡āϰ āĻĢāĻžāρāϕ⧇ āĻŽā§āϚāĻ•āĻŋ āĻšāĻžāϏ⧇
āĻŽā§‹āϟāĻž āϚāĻžāĻŽāĻĄāĻŧāĻžāϰ āϜāĻžāĻŽāĻž āĻĒāϰ⧇
āφāϗ⧁āύ āϞāĻžāĻ—āĻžāϝāĻŧ āϞ⧇āĻœā§‡āĨ¤

āύāĻŋāĻˇā§āĻĒāĻžāĻĒ āϝāĻ¨ā§āĻ¤ā§āϰāĻŖāĻž – āĻ•āĻ˛ā§āϝāĻžāĻŖ āϏ⧁āĻ¨ā§āĻĻāϰ āĻšāĻžāϞāĻĻāĻžāϰ

āύāĻžāĻĄāĻŧā§€ āϛ⧇āρāĻĄāĻŧāĻž āϧāύ āĻ…āϰ⧂āĻĒ āϰāϤāύ
āφāϰ āĻĒāĻžāĻŦāύāĻž āϤ⧋āϰ⧇
āĻŽāύ āωāϚāĻžāϟāύ āĻ•āĻžāρāĻĻāĻŋ āϘāύ āϘāύ
āϝāĻžāϏ āύāĻž āĻĢ⧇āϞ⧇ āĻŽā§‹āϰ⧇āĨ¤

āĻĻāĻļ āĻŽāĻžāϏ āϧāϰ⧇ āĻŽāĻžāϤ⧃ āϜāĻ āϰ⧇
āϞāĻžāϞāύ āĻĒāĻžāϞāύ āĻ•āϰāĻž
āϏ⧇āχ āϗ⧁āĻŖāύāĻŋāϧāĻŋ āĻĒāĻžāĻ āĻžāϝāĻŧ⧇āϛ⧇ āĻŦāĻŋāϧāĻŋ
āĻĻ⧇āĻ–āĻžāϞ āϏāĻŦ⧁āϜ āϧāϰāĻžāĨ¤

āϏ⧁āϖ⧇āϰ āĻāϞāĻ• āĻšāĻžāϰāĻžāϞ āĻĒāϞāĻ•
āĻŦ⧃āĻĻā§āϧāĻž āĻšāϝāĻŧ⧇āĻ›āĻŋ āφāϜ
āĻĒāϰāĻŋāϚāϝāĻŧ āĻĻāĻŋāϤ⧇ āĻŦāĻžāϧ⧇ āϤ⧋āϰ āĻšāĻŋāϤ⧇
āϤāĻžāχ āĻ­āĻŋāĻ–āĻžāϰāĻŋāϰ āϏāĻžāϜāĨ¤

āĻ­ā§‹āϰ āĻšāϞ āϝ⧇āχ āĻĒāĻžāĻ–āĻŋ āĻĄāĻžāϕ⧇ āϏ⧇āχ
āϰāĻŋāĻ•ā§āϤ āĻ•āϰ⧁āύ āϏ⧁āϰ⧇
āĻĢāĻŋāϏ āĻĢāĻŋāϏ āĻ•āĻžāύ⧇ āĻ•āĻžāύ āϧāϰ⧇ āϟāĻžāύ⧇
āĻĒāĻžāĻ–āĻŋ āϗ⧇āϛ⧇ āωāĻĄāĻŧ⧇āĨ¤

āϚāĻžāĻ•āĻž – āĻ•āĻ˛ā§āϝāĻžāĻŖ āϏ⧁āĻ¨ā§āĻĻāϰ āĻšāĻžāϞāĻĻāĻžāϰ

āϚāĻžāĻ•āĻžāϰ āϘāĻ°ā§āϘāϰ āĻļāĻŦā§āĻĻ āφāϤāĻ™ā§āϕ⧇
āĻ•āĻžāρāĻĻ⧇ āĻŦāĻžāρāĻ•āĻž āϚāĻžāρāĻĻ
āĻĒāĻĨ⧇āϰ āĻļ⧇āώ āĻ•āĻŦ⧇ āϜāĻžāύāĻŋāύāĻž
āĻĒāĻžāϤāĻž āĻĒ⧁āϰāĻžāύ⧋ āĻĢāĻžāρāĻĻāĨ¤

āϜāĻ¨ā§āĻŽ āĻĨ⧇āϕ⧇āχ āĻļ⧁āϧ⧁ āĻĒāĻĨ āϚāϞāĻž
āĻ•āϤ āĻ…āϜāĻžāύāĻžāϰ āĻĒāĻĨ⧇
āĻŦ⧃āĻ¨ā§āϤ āĻ–āϏāĻž āĻĢ⧁āϞ⧇āϰ āĻĒāĻžāĻĒāĻĄāĻŧāĻŋ
āĻĻ⧇āĻ–āĻŋ āϏ⧁āĻĻā§‚āϰ⧇āϰ āϰāĻĨ⧇āĨ¤

āĻŦāĻŋāĻļā§āϰāĻžāĻŽ āĻŦāϞ⧇ āĻ•āĻŋāϛ⧁ āύ⧇āχ
āĻ…āĻŦāϏāϰ āφāϰ⧋ āĻĻā§‚āϰ⧇
āĻ•ā§āϝāĻžāρāϚ āϕ⧋āρāϚ āĻļāĻŦā§āĻĻ āĻŦāĻŋāĻ­ā§āϰāĻžāϟ
āĻļāĻŦā§āĻĻ āĻ•āϰ⧁āύ āϏ⧁āϰ⧇āĨ¤

āύāĻŋāϝāĻŧāϤāĻŋāϰ āĻšāĻŋāϏāĻžāĻŦ⧇āϰ āĻ–āĻžāϤāĻž
āĻĻ⧇āĻ–āĻŋāύāĻŋāϤ⧋ āϕ⧋āύāĻĻāĻŋāύ
āϜāĻžāύāĻŋāύāĻž āĻ•āϤ āĻĒāĻžāĻĒ āϰāĻžāĻļāĻŋ
āϜāĻŽāĻž āĻšāϝāĻŧ āĻĒā§āϰāϤāĻŋāĻĻāĻŋāύāĨ¤

āώ⧋āĻĄāĻŧāĻļā§€ āϚāĻžāρāĻĻ⧇āϰ āĻšā§‹āϖ⧇āϰ āϕ⧋āύ⧇
āϜāĻŽā§‡ āĻĨāĻžāĻ•āĻž āĻ•āĻĨāĻž
āύāĻŋāϝāĻŧāϤāĻŋāϰ āĻĒāϰāĻŋāĻšāĻžāϏ āφāϰ āĻ•āϤ
āĻĒāϰāĻŋāĻļā§‹āϧ āĻšāĻŦ⧇ āĻŦā§āϝāĻĨāĻžāĨ¤

āĻĨāĻžāĻ•āϤ⧋ āϝāĻĻāĻŋ āĻĄāĻžāύāĻž – āĻ•āĻ˛ā§āϝāĻžāĻŖ āϏ⧁āĻ¨ā§āĻĻāϰ āĻšāĻžāϞāĻĻāĻžāϰ

āĻĨāĻžāĻ•āϤ⧋ āϝāĻĻāĻŋ āĻĄāĻžāύāĻž
āĻŦāĻŋāĻļā§āĻŦ āĻĒāĻŋāϤāĻžāϰ āĻ•āĻžāϛ⧇, āϝāϤ āφāĻļāĻŋāϏ āφāϛ⧇
āĻāĻ• āύāĻŋāĻŽā§‡āώ⧇ āĻŦāĻ¸ā§āϤāĻž āĻ­āϰ⧇
āĻ•āĻžāρāϧ⧇āϰ āωāĻĒāϰ āύāĻŋāϤāĻžāĻŽ āϧāϰ⧇
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Shabdodweep Web Magazine | Best Poetry Archive | Kalyan Sundar Haldar

Poetry, with its timeless beauty, serves as a window into the soul of a culture, its people, and their collective emotions. In the rich world of Bengali literature, poetry has a special place, and exploring this treasure trove of artistic expression can offer profound experiences. If you’re a poetry lover or simply looking for the best poetry archive, Shabdodweep Web Magazine stands out as a perfect destination for a deep dive into Bengali poetry, including poems, Bengali literature, and works from poets like Kalyan Sundar Haldar.

At Shabdodweep, we pride ourselves on being a comprehensive archive dedicated to Bengali poetry, particularly Bangla Kobita (Bengali poems). Our goal is to preserve, present, and celebrate the beauty of Bengali poetry through our magazine, showcasing the finest works by Bengali poets from the past and present.

What Makes Shabdodweep Web Magazine the Best Poetry Archive?

When it comes to the best poetry archive, quality, variety, and authority play a crucial role. At Shabdodweep Web Magazine, we blend all these elements to create an enriching experience for readers who wish to explore the world of Bengali poetry. Here are some reasons why our platform stands as the ultimate archive for Bengali literature:

  1. Experience & Expertise in Bengali Poetry
    Shabdodweep Web Magazine is built on years of dedication to Bengali poetry. Our team consists of experienced poets, critics, and literary enthusiasts who are well-versed in the history of Bengali literature. We ensure that every poem, article, and feature on our platform showcases a deep understanding of the art form.
  2. A Vast Collection of Bengali Poems
    Our archive hosts an extensive range of poems from both classic and contemporary Bengali poets. Whether you’re interested in Bangla kobita or modern works, Shabdodweep provides an exceptional variety of poetry styles, including romantic, philosophical, and socio-political themes. The best poetry archive has something for every poetry lover.
  3. Celebrating Bengali Poets
    At Shabdodweep, we highlight the work of poets like Kalyan Sundar Haldar, whose contribution to Bengali poetry has left an indelible mark. His poems reflect the nuances of Bengali culture, philosophy, and the human experience. By including such prominent voices, we ensure that our poetry archive maintains a high level of authority and quality.
  4. Curated Bengali Literature Content
    Our poetry magazine goes beyond just poems; we also publish insightful articles, critical reviews, and analyses of Bengali literature. This makes us more than just a poetry archive – we are a hub of literary knowledge, fostering a deeper connection with Bengali poets and Bengali literature.
  5. Trustworthy & Authoritative Platform
    Shabdodweep has earned the trust of poetry lovers and literary critics alike, making it a dependable source for anyone interested in Bengali poetry. Our commitment to authenticity and quality ensures that every piece we publish is carefully curated, maintaining a high standard for all poetry fans.

Key Features of Shabdodweep Web Magazine

  • A Rich Collection of Bengali Poems
    Our magazine includes a diverse range of Bengali poems, from the works of legendary poets to new voices. With poems available in various styles and languages, including Bangla Kobita, you can explore the versatility of Bengali poetry.
  • Works by Kalyan Sundar Haldar
    One of the notable poets featured on our platform is Kalyan Sundar Haldar, whose poetry has gained admiration for its depth and emotional richness. His works have found a special place in the hearts of readers and continue to inspire new generations.
  • Bengali Literature Articles
    In addition to poems, we regularly publish articles that delve into the world of Bengali literature. These articles cover everything from historical perspectives to modern-day trends in Bengali poetry, ensuring you stay informed about the literary world.
  • A Space for Emerging Poets
    At Shabdodweep, we are passionate about showcasing not only established poets but also emerging voices in Bengali poetry. Our platform offers a stage for up-and-coming poets to reach a wider audience and gain recognition.

Why Shabdodweep Web Magazine is the Ultimate Destination for the Best Poetry Archive

With an exceptional blend of experience, expertise, and a vast collection of poems, Shabdodweep Web Magazine has firmly established itself as the best poetry archive. We believe in the power of words to connect cultures, ignite emotions, and preserve history. Our magazine is a digital space where you can find everything related to Bengali poetry, including works from iconic Bengali poets like Kalyan Sundar Haldar.

By regularly updating our archive with fresh and insightful content, we aim to be the go-to source for anyone looking to experience the beauty of Bengali poetry and literature.

FAQ – Best Poetry Archive at Shabdodweep Web Magazine

  1. What is Shabdodweep Web Magazine’s Best Poetry Archive?
    Shabdodweep Web Magazine’s best poetry archive is a curated collection of Bengali poems, articles, and literary works from renowned Bengali poets and emerging voices. It includes poems by Kalyan Sundar Haldar and other prominent poets, as well as in-depth literary articles.
  2. Why should I explore Bengali poetry at Shabdodweep?
    At Shabdodweep, we provide an expansive collection of Bangla kobita and Bengali poetry that covers a range of themes, from romance to social issues. Our platform is trusted for its authority, quality, and dedication to Bengali literature, making it an ideal space to immerse yourself in Bengali poetic heritage.
  3. What kind of poetry can I find in the archive?
    You can find a wide variety of poetry in our archive, including romantic, philosophical, social, and political themes. Whether you’re looking for classic works or modern poetry, our collection has something for every reader.
  4. Who is Kalyan Sundar Haldar, and what role does he play at Shabdodweep?
    Kalyan Sundar Haldar is a Bengali poet whose works are regularly featured on Shabdodweep Web Magazine. His poems reflect the rich cultural tapestry of Bengal and continue to inspire readers across the world.
  5. How can I contribute to the poetry archive at Shabdodweep?
    If you are a poet or writer interested in contributing to our Bengali poetry archive, we invite you to submit your poems for publication. Our platform encourages emerging poets to showcase their talent alongside established voices.
  6. Is there any charge for accessing the Best Poetry Archive?
    No, access to our best poetry archive is free. We believe in making Bengali literature and poetry accessible to everyone, so you can explore our vast collection without any cost.
  7. How often is the poetry archive updated?
    Our best poetry archive is updated regularly with fresh content, including new poems, articles, and reviews. We strive to keep our readers engaged and informed with the latest in Bengali poetry.

In conclusion, Shabdodweep Web Magazine is the perfect destination for anyone seeking to explore the rich world of Bengali poetry. From poems by Kalyan Sundar Haldar to the latest works from emerging poets, our archive offers something for every reader. Visit us today and immerse yourself in the beauty of Bengali poetry!


Sabuj Basinda | Follow our youtube channel – Sabuj Basinda Studio

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