Best Bangla Kobita Platform | Shabdodweep Bengali Poetry

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Bangla Kobita Platform – Md Shohidullah

āύ⧀āϞāĻžāĻ­ āĻļ⧈āϰāĻŋāĻ• āĻĒāĻĨ⧇ āĻĒāĻĻāϝ⧁āĻ—āϞ – āĻŽā§‹āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻšā§

āĻšāĻŋāĻŽāĻžā§ŸāĻŋāϤ āϏ⧁āĻ•ā§āϰ⧋āϜ āĻŽā§‡āĻĒ⧇ āϚāϞāĻžāϰ āύ⧀āϤāĻŋāϤ⧇ āĻŦā§āϝāĻ¸ā§āϤ āĻĨāĻžāĻ•āĻžāϰ āĻ•āĻĨāĻž āĻ›āĻŋāϞ āύāĻžāĨ¤
āφāĻŦā§āϰ⧁āϰ āĻ…āĻĒāϰ āĻĒ⧃āĻˇā§āĻ āĻžā§Ÿ āĻ¸ā§āĻŦāύāĻžāĻŽā§‡, āĻŦ⧇āύāĻžāĻŽā§‡ āϞ⧇āĻ–āĻž āĻšāĻŦ⧇ āωāĻĻāĻ­ā§āϰāĻžāĻ¨ā§āϤ āχāϤāĻŋāĻšāĻžāϏ-
āĻāϟāĻžāĻ“ āϤ⧋ āĻ•āĻĨāĻž āĻ›āĻŋāϞ⧋ āύāĻžāĨ¤
āĻ•āĻĨāĻž āĻ›āĻŋāϞ⧋āύāĻž āωāρāϚ⧁ āĻ—āĻžāĻ›āϗ⧁āϞ⧋āϤ⧇āχ āϏ⧂āĻ°ā§āϝ⧇āϰ āĻ…āĻŦāĻŋāϰāĻžāĻŽ āĻļ⧁āϭ⧇āĻšā§āĻ›āĻž āĻ—āϞ⧇ āĻĒ⧜āϤ⧇ āĻĨāĻžāĻ•āĻŦ⧇āĨ¤

āϤ⧃āϪ⧇āϰāĻž?

āϤāĻžāĻĻ⧇āϰ āĻ†ā§Ÿā§‹āϜāύ⧇ āύ⧇āχ āϕ⧋āύ āĻ§ā§āϰ⧁āĻŦāĻ• āĻĒā§āϰ⧇āĻŽ, āĻšā§‡āϤāύāĻžāϏāĻŋāĻ•ā§āϤ āĻĒ⧁āĻˇā§āĻĒāĻžāĻ°ā§āĻ˜ā§āϝāĨ¤

āĻĒāĻžāĻ°ā§āĻĨāĻŋāĻŦ āϏ⧁āĻ–-āĻ¸ā§āĻŦāĻžāĻšā§āĻ›āĻ¨ā§āĻĻā§āϝ⧇āϰ āφāϞ⧁āϞāĻžā§ŸāĻŋāϤ āϚ⧁āϞ⧇ āϘāĻžāϏāĻĢ⧁āϞāϟāĻŋ
āύāĻžāĻ•ā§āώāĻ¤ā§āϰāĻŋāĻ• āĻĒāϰāĻŋāĻšā§Ÿā§‡ āϤāĻŦ⧁ āύāĻŋāϰāĻ¨ā§āϤāϰ āϏāĻŽā§āĻœā§āĻœā§āĻŦāϞāĨ¤

āĻĢ⧇āϰ⧇ āĻ•āĻ–āύ⧋ āϏāĻ–āύ⧋ – āĻŽā§‹āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻšā§

āĻĨ⧇āĻŽā§‡ āϝāĻžāĻ“ā§ŸāĻž āϚ⧈āϤāĻŋ āϖ⧇āϞāĻžāϟāĻž āϘ⧁āϰ⧇ āĻĢāĻŋāϰ⧇ āφāϏ⧇ āĻ–āύāĻ–āύ⧇ āĻŽā§‡āĻŸā§‡ āϜāĻŽāĻŋāϤ⧇āĨ¤
āĻ–ā§‹āϞāĻžāĻŽā§‡āϞāĻž āĻĒā§āϰāϜāĻžāĻĒāϤāĻŋ,
āϏ⧁āĻĒā§āϤāĻŋāĻ•āĻžāϞ⧀āύ āĻ–ā§‹āϞāϏ āϕ⧇āĻŸā§‡ āĻŦāĻžāχāϰ⧇āϰ āφāϞ⧋āĻ•āĻžā§Ÿāύ⧇ āĻ¤ā§ŽāĻĒāϰ;
āĻŦāĻŋāϟāĻĒā§€āϰ āĻ…āϰāĻŋ⧟ āϏ⧁āĻ– āϝāĻĻāĻŋāĻ“ āĻ—āĻžāĻŖāĻŋāϤāĻŋāĻ•,
āĻāĻŦāĻ‚
āĻ…āϜāĻžāύāĻž āϞāĻ—āĻžāϰāĻŋāĻĻāĻŽ āĻŽā§‡āϖ⧇ āĻĒāϰāĻžāĻŦāĻ°ā§āϤ āĻœā§‹āĻ›āύāĻž
āĻ›āĻžāĻĻāĻŦāĻžāĻ—āĻžāύ⧇ āϞ⧇āĻĒā§āĻŸā§‡ āϰāϝāĻŧ⧇āϛ⧇āĨ¤

āϜ⧈āĻŦāύāĻŋāĻļāĻžāĻĻ⧇āĻ“ āύāĻŋāĻ°ā§āϞāĻŋāĻĒā§āϤ āĻŦāĻŋāϕ⧇āϞāϟāĻžāϕ⧇ āĻŽāύ⧇ āĻĒā§œā§‡āĨ¤
āĻ•āĻ°ā§āĻĒā§‹āϰ⧇āϟ āĻšāĻŋāϏ⧇āĻŦ⧇āϰ āĻ—āĻ°ā§āĻ­āĻ•āĻžāϞ āϚāϞāĻŽāĻžāύ,
āĻŦāĻŋāĻšā§āϛ⧇āĻĻā§€ āĻ…āĻŽāϰāĻžā§Ÿ āϤāĻžāϰ āĻŦ⧇āĻšā§āρāĻļ āύ⧃āĻ¤ā§āϝāĨ¤
āϰāĻŖāϚāĻŖā§āĻĄā§€ āĻŽā§‚āĻ˛ā§āϝāĻ¸ā§āĻĢā§€āϤāĻŋāϰ āĻ­ā§€āĻŽāϰ⧁āϞ,
āφāϰ āϧāĻ°ā§āĻŽāĻĒāϞāĻŋāϟāĻŋāĻ•ā§āϏ āĻšā§‡āĻĒ⧇ āĻŦāϏ⧇
āĻ…āĻŦāĻžāϧ āϜāĻ˛ā§‹ā§ŸāĻž-āϏāĻ™ā§āĻ—ā§€āϤ⧇āϰ āϘāĻžā§œā§‡āĨ¤

āĻŦāĻžāϰ⧁āĻĻ āϏāĻŽā§Ÿā§‡āϰ āϏāĻžāĻĨ⧇ āϏāĻ¨ā§āϧāĻŋ – āĻŽā§‹āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻšā§

āϏāĻšāϜ āĻĒāĻĨ⧇āĻ“ āĻŦāĻžāϰ⧁āĻĻāĻŽā§ŸāϤāĻž āĻŦ⧈āϧ āĻ…āĻ¸ā§āĻ¤ā§āϰ⧇āϰ āĻ…āĻšāĻ‚āĻ•āĻžāϰāĨ¤
āφāύāĻžā§œāĻŋ āφāϙ⧁āϞ āĻšā§‡āĻĒ⧇ āĻŸā§āϰāĻŋāĻ—āĻžāϰ āϤāĻžāĻ• āĻ•āϰāĻž āĻŸā§‡āĻŦāĻŋāϞ āϟāĻ•,
āϰ⧁āĻĻā§āϧāĻĻā§āĻŦāĻžāϰ āĻ•āĻĨāύāĨ¤

āϏāĻŦāĻžāϰ āĻĒāϰ⧀āĻ•ā§āώāĻž āĻļ⧁āϰ⧁,
āϏ⧀āϏāĻž āĻ—āĻŋāϞāϛ⧇ āφāϜāϕ⧇āϰ āĻ•āĻŋāĻļā§‹āϰ,
āύāĻŋāωāϰāύ⧇ āϜāύāĻĒā§āϰāĻŋ⧟āϤāĻžāϰ āύāĻŋāϰāĻŦāĻšā§āĻ›āĻŋāĻ¨ā§āύ āĻ…āĻ§ā§āϝ⧟āύāĨ¤
āĻŽāĻŋāĻĨā§āϝāĻžāϰ āϜāϰāĻžā§Ÿā§ āĻĨ⧇āϕ⧇ āĻŦ⧇āϰ āĻšāϞ⧋ āύāĻžāύāĻžāĻŦāĻŋāϧ āϕ⧇āĻšā§āĻ›āĻž āφāϰ āύāĻŋāϰāĻ™ā§āϕ⧁āĻļ āĻĒā§āϰāĻ¤ā§āϝ⧟āύāĨ¤

āĻŽāĻžāύ⧁āώ⧇āϰ āϰāĻ•ā§āϤāĻžāĻ•ā§āϤ āĻšā§ƒāĻĻ⧟ āϤ⧋āϞāĻĒāĻžā§œ āĻ•āϰāĻž āĻĸ⧇āω āĻ›āĻžāĻĒāĻŋā§Ÿā§‡ āĻ“āϠ⧇ āĻ…āύāĻ™ā§āĻ— āĻŽā§‹āĻšāύāĻž,
āϜāĻŽāĻžāύ⧋ āĻ•āĻˇā§āϟ āĻĸ⧇āϕ⧇ āĻĻāĻŋāϤ⧇
āĻ“āĻāĻŽāĻāϏ āĻāϰ āϏ⧁āĻĻā§€āĻ°ā§āϘ āϞāĻžāχāύ⧇ āĻĻāĻžāρ⧜āĻžāϞ⧋
āύāĻŋāώāĻŋāĻĻā§āϧ āĻĢ⧁āϞ,
āĻŽāĻžāĻĨāĻžāϰ āĻ“āĻĒāϰ āϚāĻ•ā§āĻ•āϰ āĻĻāĻŋāϤ⧇ āĻĻāĻŋāϤ⧇ āĻŦ⧇āĻšāĻžā§ŸāĻž āψāĻ—āϞ
āĻĒāĻ°ā§āĻŖ āϕ⧁āϟāĻŋāϰ⧇ āϛ⧁āĻā§œā§‡āϛ⧇ āĻŽāĻŋāĻļāĻžāχāϞ,
āĻŽāϰ⧁āϜ āĻŦāĻžāϤāĻžāϏ āφāϜ āĻ…āϧāĻŋāĻ•āϤāϰ āĻ…āĻŦāϰ⧁āĻĻā§āϧāĨ¤
āĻ•āĻžāĻ•āϤāĻžāϞ⧀āϝāĻŧ āĻ—ā§‹āϞāĻŸā§‡āĻŦāĻŋāϞ⧇āϰ āϚāĻžāϰāĻĒāĻžāĻļ āĻ­ā§€āώāĻŖ āϰāĻ•āĻŽ āĻ…āĻ—ā§‹āĻ›āĻžāϞ⧋,
āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻžāĻšā§€āύ āύ⧈āĻŦ⧇āĻĻā§āϝ āύāĻŋā§Ÿā§‡ āĻšāĻžāϏāĻŋāĻŽā§āϖ⧇ āĻ•āĻĨāĻž āĻŦāϞ⧇āĨ¤

āĻ¸ā§āĻĨā§‚āϞāϤāĻžāϰ āĻŦāĻŋāĻ•āϞāĻžāĻ™ā§āĻ— āĻ…āĻšāĻ‚ āĻŦā§‹āϧ⧇ – āĻŽā§‹āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻšā§

āĻšāĻžāϤāĻŋ āĻāϏ⧇āĻ›āĻŋāϞ āĻĻ⧁⧟āĻžāϰ⧇, āĻŽāĻžā§œāĻŋā§Ÿā§‡ āĻšā§‡āĻĒā§āϟāĻž āĻ•āϰ⧇ āϗ⧇āϞ āĻ—āϰ⧀āĻŦāĻŋ āϗ⧇āϰāĻ¸ā§āϤ⧇āϰ āĻŦ⧁āϕ⧇āϰ āĻĒāĻžāρāϜāϰ,
āĻ¸ā§āϤāĻŋāĻŽāĻŋāϤ āφāĻ•āĻžāϰ⧇ āĻ•āϤāĻŋāĻĒ⧟ āĻ¸ā§āϤ⧁āϤāĻŋāĻŦāĻžāĻŖā§€ āĻāĻ–āύ āĻšā§ƒāĻĻāĻ•āĻ¨ā§āĻĻāϰ⧇āϰ āϏāĻŋāĻŽā§āĻĢāύāĻŋāĨ¤
āϏāĻŽāϞāĻžāϰ āĻ…āĻ¨ā§āϤāσāϏāĻ¤ā§āĻ¤ā§āĻŦāĻž āĻĻāĻŋāύāϗ⧁āϞ⧋āϤ⧇ āĻŦā§‡ā§œā§‡ āϝāĻžā§Ÿ āϏāĻŦā§āϜāĻŋāϰ āĻĻāĻžāĻŽ,
āĻĄāĻŋāĻŽā§‡āϰ āϗ⧁āĻŖāĻžāĻŦāϞāĻŋ āύāĻŋā§Ÿā§‡ āϰāϚāύāĻž āϞāĻŋāϖ⧇ āĻ­āĻžāϞ⧋ āύāĻžāĻŽā§āĻŦāĻžāϰ āĻĒā§‡ā§Ÿā§‡āϛ⧇ āφāϞ⧇āĻšāĻžāĻŦāĻžāύ⧁āϰ āĻ…āĻĒ⧁āĻˇā§āϟ āĻļāϰ⧀āϰāĨ¤

āύ⧈āĻŽāĻŋāĻ¤ā§āϤāĻŋāĻ• āϏāĻšāϜ āϏāϰāϞ – āĻŽā§‹āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻšā§

āϜāϞ⧇ āϟāϞ⧋āĻŽāϞ,
āĻĒāĻĻā§āĻŽāύāĻžāχāĻ“āϰāĻŋ āĻšā§‡ā§Ÿā§‡ āĻĨāĻžāϕ⧇
āĻ­āĻŋāĻ¨ā§āύāϤāϰ āφāĻŦ⧇āϗ⧇
āϜāϞāĻšā§‹āĻ– āĻ›āϞ⧋āĻ›āϞāĨ¤

āĻŦā§€āϜāϤāϞāĻžā§Ÿ āύ⧇āĻŽā§‡ āϗ⧇āϛ⧇
āĻĻ⧁āσāϏāĻš āĻ•āĻˇā§āϟ-āĻ•ā§ŒāϤ⧁āĻ•,
āĻ–āϞāϚāϰāĻŋāĻ¤ā§āϰ⧇āϰāĻž āĻŦāĻžāĻšāĻŦāĻž āĻ•ā§ā§œā§‹ā§Ÿ;
āĻāϟāĻžāχ āύāĻŋ⧟āĻŽ āĻšā§Ÿā§‡ āĻĻāĻžāρ⧜āĻŋā§Ÿā§‡āϛ⧇āĨ¤
āĻāĻŦāĻžāϰ āύāĻŋāϞāĻžāĻŽā§‡ āωāĻ āĻŦ⧇
āύāĻŋāĻˇā§āĻĢāϞāĻžāϜāĻŽāĻŋāĨ¤

āϏāĻžāϧāύāĻžāϰ āĻ†ā§Ÿā§‹āϜāύ āĻ›āĻŋāϞ⧋ – āĻŽā§‹āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻšā§

āĻĒā§āϰāĻ•ā§ƒāϤāĻŋāϰ āĻ—āĻžāĻ›-āĻĒāĻžāĻĨāϰ⧇
āύāĻŋāĻĒ⧁āĻŖ āĻĒāϰāĻŋāϚāĻ°ā§āϝāĻžā§Ÿ
āφāĻˇā§āĻŸā§‡āĻĒ⧃āĻˇā§āϠ⧇ āĻ—ā§œā§‡āĻ›āĻŋāϞāĻžāĻŽ āĻ…āĻ–āĻŖā§āĻĄ āϏāĻ­ā§āϝāϤāĻžāϰ
āϚ⧌āϕ⧋āύāĻž āϚāĻ¤ā§āĻŦāϰāĨ¤
āϰāĻ•ā§āϤāĻ¸ā§āύāĻžāϤ āϝ⧁āĻĻā§āϧ⧇āϰ āĻŽāĻžāĻ ,
āĻŦāĻŋāĻĒ⧁āϞ āĻŽāĻžāύāĻŦāĻšāĻ¤ā§āϝāĻžāϰ āĻ–āϤāĻŋ⧟āĻžāύ;āĻ…āĻšāĻ‚āĻŦā§‹āϧ āĻĒāĻŋāϛ⧁ āύāĻŋāϞ⧋ āĻĻ⧁āĻ°ā§āĻŽāϰ āϞ⧜āĻžāϕ⧁āϰāĨ¤
āĻŦ⧜āϏ⧜ āĻŦ⧇āĻĻāύāĻžāϰ āĻļāĻŋāĻ•ā§œā§‡
āϚāϞ⧇ āϗ⧇āĻ›āĻŋ āĻ…āĻŦāϞ⧀āϞāĻžā§ŸāĨ¤

āύ⧇āχ āϕ⧋āύ⧋ āφāϕ⧁āϞ āĻĒāϰāĻžāĻŖ
āύāĻŋāĻĻāĻžāĻ˜ā§‡āϰ āĻĻāĻšāύāĻ•āĻžāϞ⧇āĨ¤
āĻ•āĻžāϞ⧋ āĻ—āĻšā§āĻŦāϰ⧇ āĻ—āĻžāĻŽāĻžāϤāϰāĻ™ā§āĻ—āϟāĻž āϜāĻžāĻĒāĻŸā§‡ āĻŦāϏāĻž āφāĻĻāĻŋāĻŽāϤāĻžāϰ āϝ⧇āύ āϚāĻŋāϰāϏāĻ–āĻžāĨ¤

āĻļ⧈āϞāϜāĻž – āĻŽā§‹āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻšā§

āĻ…āĻĻā§āϭ⧁āϤ āϏ⧁āĻ¨ā§āĻĻāϰ āϏāĻžāρāϤāĻžāϰ āĻļāĻŋāϖ⧇āϛ⧋ āĻļ⧈āϞāϜāĻžāĨ¤
āĻ—āĻŋāϰāĻŋāĻļ-āύāĻ¨ā§āĻĻāĻŋāύ⧀āϕ⧇ āĻŦ⧁āϕ⧇ āϜāĻžāĻĒāĻŸā§‡ āφāϰ āϧāϰ⧇ āϰāĻžāĻ–āĻž āĻšāϞ⧋ āύāĻž āϤ⧋āĻŽāĻžāϰāĨ¤
āĻšā§ƒāĻĻāĻ—ā§āϰāĻ¨ā§āĻĨāĻŋ āϭ⧇āϙ⧇āϚ⧁āϰ⧇ āύ⧇āĻŽā§‡āϛ⧋ āϤāĻžāχ āĻĒāϞāϞ āĻŽā§ƒāĻ¤ā§āϤāĻŋāĻ•āĻžā§ŸāĨ¤
āĻĒāĻŋāĻĒāϏāĻžāĻ°ā§āϤ⧇āϰ āĻĻāĻŋāύāϞāĻŋāĻĒāĻŋāϤ⧇
āύ⧇āĻŽā§‡ āφāϏ⧇ āĻ…āĻĒā§āϏāϰāĻžāĻĻ⧇āϰ āĻĒ⧁āĻˇā§āĻĒāϰ⧇āϪ⧁–
āĻŦāĻŋāĻ•āϞ āϤāĻžāĻ¨ā§āĻ¤ā§āϰāĻŋāĻ•
āĻŦ⧁āϕ⧇āϰ āωāĻĒāĻ¤ā§āϝāĻ•āĻžā§Ÿ āĻœā§‡āϗ⧇ āφāϛ⧇
āĻĒ⧁āϰāύ⧋ āϤāĻ¨ā§āĻ¤ā§āϰ⧇āϰ āĻ•ā§ŸāϞāĻž āĻ˜ā§‡āρāĻŸā§‡āĨ¤
āϤāĻĒā§āϤ āĻšā§ƒāĻĻā§Ÿā§‡ āĻŦāĻšā§‡ āύāĻž āĻĒāĻĻā§āĻŽāĻžāϰ āĻĸ⧇āω
āĻ•āĻŋāĻ‚āĻŦāĻž āϚāϞāύāĻŦāĻŋāϞāĨ¤

āĻŦ⧇āĻšā§āρāĻļ āĻĒāϰāĻžāĻ—ā§€ āĻ‹āĻŖ – āĻŽā§‹āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻšā§

āϝāϤāĻĻāĻŋāύ
āύāĻŋāώāĻŋāĻĻā§āϧ āĻ›āĻŋāϞ āϜāĻžāϰāύāĻ•āĻžāϞ,
āĻ…āĻŽāĻžā§ŸāĻŋāĻ• āϏ⧁āĻ–āĻŦā§ŽāϏāϞ āĻĒāĻžāĻ°ā§āĻĨāĻŋāĻŦ āϜāĻ—āϤ
āĻ–ā§‹āϞāĻž āĻŦāĻžāϤāĻžāϏ āĻšā§Ÿā§‡
āĻŦ⧁āĻ• āĻ­āϰ⧇āϛ⧇ āϤāĻžāĻĒāĻŋāϤ āĻĒāϰāĻžāϪ⧇āĨ¤
āφāϰāĻ“ āĻāĻ•āĻŦāĻžāϰ āύ⧈āĻŽāĻŋāĻ¤ā§āϤāĻŋāĻ• āĻ…āύāϟāύ⧇āϰ āĻĒāϰāĻžāϜ⧟ āĻŦāϰāĻŖāĨ¤
āĻ…āĻšā§‡āϤ⧁āĻ• āĻā§āϞāĻŋā§Ÿā§‡ āĻĻāĻŋā§Ÿā§‡ āĻļāĻžāĻ¨ā§āϤāĻŋāϰ āĻĄāĻŋāĻ•ā§āϰāĻŋ,
āĻŦ⧇āĻšā§āρāĻļ āĻ•āϞāĻŽā§‡āϰ āύāĻŋāĻŦ⧇
āĻ…āĻļāĻžāĻ¨ā§āϤāĻŋāϰ āύāĻŋāώāĻŋāĻ•ā§āϤ āĻ…āĻļā§āϰ⧁āĻĒāĻžāϤāĨ¤

āĻ…āĻŽāϞāĻŋāύ āĻœā§‹āĻ›āύāĻžā§Ÿ āϏ⧋āĻšāĻžāĻ—āĻŋ āĻšā§ƒāĻĻ⧟ – āĻŽā§‹āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻšā§

āϭ⧇āϙ⧇ āϗ⧇āϛ⧇ āĻ•āĻžāρāĻšā§‡āϰ āĻŽāϤ⧋
āϜāĻžāϤāĻŋāĻĒ⧁āĻžā§āĻœā§‡āϰ āφāĻļāĻž-āĻ­āϰāϏāĻžāϰ āύāĻŋāĻ°ā§āĻŽā§‹āĻš āϏāύāϗ⧁āϞ⧋,āĻĒāĻžāϰāĻŽāĻžāύāĻŦāĻŋāĻ• āĻĒāĻŋāĻļāĻžāĻšā§‡āϰāĻž āϰāĻ•ā§āϤāĻĒāĻžāύ⧇ āύāĻŋāĻŽāĻ—ā§āύ āĨ¤
āĻĒā§āϰāϤāĻŋāĻŦāĻŋāĻŽā§āĻŦāĻŋāϤ āφāĻŽāĻžāĻĻ⧇āϰ āĻœā§Ÿā§‡āϰ āĻŽā§āϖ⧇
āϕ⧁āϞ⧁āĻĒ āĻāρāĻŸā§‡ āĻĻāĻŋā§Ÿā§‡āϛ⧇ āĻ–ā§‹āϞāĻžāĻŦāĻžāϜāĻžāϰ⧇āϰ āĻŽāϚāĻŽāĻšā§‡ āϚāĻžāύāĻžāϚ⧁āϰāĨ¤

āϏ⧁āϚāĻžāϰ⧁āϤāĻžāϰ āĻ›āĻ• āĻ˜ā§‡āρāĻŸā§‡ āϘ⧁āρāĻŸā§‡
āĻĒā§āϰāϤāĻŋāĻŦāĻŋāĻŽā§āĻŦ⧇ āĻ…āĻŽāϞāĻŋāύ āĻœā§‹āĻ›āύāĻžāϰ āĻ‹āĻŖ,
āφāϰ āĻ¸ā§āĻŦāĻ˛ā§āĻĒ āĻĒāϰāĻŋāϏāϰ⧇
āĻ…āύ⧇āĻ• āĻ…āύ⧇āĻ• āĻ•āĻĨāĻžāϰ āϰ⧇āϞāĨ¤
āϤāĻŦ⧁ āĻŦ⧇āρāϕ⧇ āϝāĻžāĻ“ā§ŸāĻž āϰ⧇āϞ⧇āϰ āĻ“āĻĒāϰ āϚāϞāϛ⧇
āφāĻŽāĻžāĻĻ⧇āϰ āύ⧜āĻŦā§œā§‡ āϚāĻžāĻ•āĻžāĨ¤

āĻšā§ƒāĻĻāĻŦāĻĻāϞ – āĻŽā§‹āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻšā§

āωāϠ⧇ āϝāĻžāĻšā§āϛ⧇ āĻļ⧈āĻ˛ā§āĻĒāĻŋāĻ• āφāĻ•āĻ°ā§āώ⧀āϰ āĻĻā§‹āĻšāĻžāχ āĻĒ⧇āϰ⧇
āϞāϤāĻžāĻŦāĻžāĻšā§āϰ āϏāĻŽāĻžāϏāĻŦāĻĻā§āϧ āĻœā§€āĻŦāύāĻžāϚāĻžāϰāĨ¤

āĻ¸ā§āĻĒāĻžāχāϰ⧋āĻ—āĻžāχāϰāĻžāϰ āϏ⧋āĻĒāĻžāύ⧇
āĻŽāĻšāĻžāĻ•āĻ°ā§āώ⧀āϝāĻŧ āϏ⧁āϤ⧋āϰ
āύāĻžāχāϞāύ⧀ āĻĻ⧇āĻŽāĻžāĻ— āĻĻ⧇āϰāĻžāĻœā§‡ āϠ⧇āϏ⧇ āĻ­āϰāĻžāϰ
āύāĻŋ⧟āϤāχ āĻ•ā§ŒāĻļāϞ āĻŦāĻĻāϞ⧇āϰ āϖ⧇āϞāĻžāĨ¤

āύāĻŋāϞāĻžāĻŽā§‡āϰ āφāϏāϰ⧇ āϘ⧁āĻŽ āϘ⧁āĻŽ
āύāĻžāĻ—āϰāĻŋāĻ•,
āĻĒāϰāĻžāĻšāϤ āĻŦāĻŋāĻŦ⧇āϕ⧇āϰ āĻ•āĻžāϛ⧇āĨ¤

āφāĻŦāĻ•ā§āώ āĻšā§‡āϤāύāĻžāϰ āωāĻ¨ā§āĻŽā§‡āώ⧇āϰ
āĻĻā§āĻŦāĻŋāĻĒāĻžāĻ•ā§āώāĻŋāĻ•
āϤāĻžāĻ—āĻŋāĻĻ āĻĨ⧇āϕ⧇āχ āĻļ⧈āĻŦāĻžāϞāĻŋāĻ• āϏāĻžāĻ—āϰ
āωāĻˇā§āĻŖāϤāϰ āĻ­ā§‚āĻ—ā§‹āϞ āĻ­āĻžāϞ⧋āĻŦāĻžāϏ⧇āĨ¤
āĻŽā§‹āĻšāύāĻžā§Ÿ āϤāĻžāχ
āĻŦ⧇āĻœā§‡āĻ›āĻŋāϞ āĻŽā§‹āĻšāύ āĻŦāĻžāρāĻļāĻŋāĨ¤

āĻŽāĻžāϟāĻŋāϰ āĻ–āϰāĻ–āϰ⧇ āĻŦ⧁āϕ⧇ āĻļ⧁āĻ•āύ⧋ āĻĒāĻžāϤāĻž,
āĻļāĻŋāϰāĻž-āωāĻĒāĻļāĻŋāϰāĻžā§Ÿ āĻāρāϕ⧇ āϰāĻžāĻ–āĻž āϧāĻžāĻŽāύāĻŋāĻ• āύāĻŋāϕ⧇āĻļ,
āĻĒāϰāĻŋāϝāĻžā§Ÿā§€ āĻ—āϤāĻŋāϚāĻ•ā§āϰ⧇
āĻŦāĻžāϧāĻž āĻĒā§œā§‡āϛ⧇āĨ¤
āϚāĻ• āĻĒ⧇āĻ¨ā§āϏāĻŋāϞ⧇āϰ āϗ⧁āĻā§œā§‹ā§Ÿ
āĻŽā§‡āϤ⧇ āĻ“āĻ āĻžāϰ āĻ•āĻžāϞ āϝāĻžāϰāĨ¤
āωāĻ ā§‹āύ⧇āϰ āĻ…āĻŦāĻžāĻžā§āĻ›āĻŋāϤ āĻĻāĻžāρ⧜āĻ•āĻžāĻ•
āĻāĻ–āύ āϏāĻŽā§Ÿā§‡āϰ āĻĻ⧁āϰāĻ¨ā§āϤāĻĒāύāĻžāϰ āύāĻžāĻŽāĨ¤

āϚāĻžāϰāĻŖāĻŋāĻ• āϏāĻ‚āϞāĻžāĻĒ – āĻŽā§‹āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻšā§

āĻŽā§‹āĻšāĻŽā§āĻ—ā§āϧ āϝāĻžāĻĒāύ;
āĻ¤ā§āϰāĻŋāϭ⧁āĻœā§€ā§Ÿ āφāĻ•ā§āϰāĻŽāĻŖ āϠ⧇āĻ•āĻžāϤ⧇ āĻĒāĻžāϰ⧇āύāĻŋ;
āĻŽā§‹ā§œāϕ⧇āϰ āĻŦāĻžāχāϰ⧇
āϭ⧁āϞ āĻŦāĻžāύāĻžāύ⧇āϰ āĻļāĻŋāĻ•ā§āώāĻžāĻ°ā§āĻĨā§€āĨ¤
āϭ⧁āϞ āĻ•āĻ°ā§āĻ•āĻŸā§‡ āĻ•ā§āϰāĻŽāĻžāĻ—āϤ āĻĻāĻ‚āĻļāύ⧇ āύ⧀āϞ
āĻ—ā§āϰāĻ¨ā§āĻĨāĻŋāϤ āĻĒāĻžāĻŖā§āĻĄā§āϞāĻŋāĻĒāĻŋāϟāĻžāϰāĨ¤
āύāĻŋāĻ—ā§ƒāĻšā§€āϤ āϞāĻžāĻžā§āĻ›āĻŋāϤ,
āϤāĻžāχ āύāĻŋ⧟āϤāĻŋāϰ
āφāĻ¸ā§āϤāĻŋāύ āĻœā§ā§œā§‡ āĻ…āϏāĻŽ āĻ•āĻĨāĻžāϰ āϚāĻŋā§œā§‡āĻ­āĻžāϜāĻž
āϏāĻŦāĻžāχ āĻ–āĻžāĻšā§āĻ›āĻŋ,
āϜāϞ āĻ•āĻžāĻŽāĻžāύ⧇āϰ āĻ“āĻĒāĻžāĻļ⧇ āĻ•ā§œāĻž āĻšā§‹āϖ⧇
āύāĻŋāϰ⧀āĻ•ā§āώāĻž āϚāϞāϛ⧇,
āϏāĻžāĻŽāύ⧇āχ āĻ…āĻļāĻžāĻ¨ā§āϤ āĻŦāĻ˛ā§Ÿā§‡āϰ āϚāĻŋāϰāĻžāϚāϰāĻŋāϤ āĻĒā§āϰāĻĻāĻ•ā§āώāĻŋāĻŖ
āĻāĻŦāĻ‚
āĻŽāĻšāĻžāĻ•āĻžāĻŦā§āϝ⧇ āύāĻŋāĻ°ā§āĻŦāĻžāϚāĻŋāϤ āϘ⧁āĻŽāĨ¤

āĻ•āĻŦāĻŋāϤāĻžāϰ āϜāϞāϏāĻžāϘāϰ, āĻāĻŦāĻ‚ – āĻŽā§‹āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻšā§

āύ⧇āϟ āĻœā§ā§œā§‡ āĻŦ⧇āĻ āĻŋāĻ• āĻŦāĻžāϰāϤāĻžā§Ÿ
āĻĒā§āϰāϤāĻŋāύāĻŋ⧟āϤ āφāϘāĻžāϤ āϏāχāĻŦāĻžāϰ āĻļāĻ•ā§āϤāĻŋ
āĻ•āĻŽā§‡ āϗ⧇āϛ⧇ āĻŦāϞ⧇āχ
āĻŽāĻšāĻžāϤāĻžāρāĻŦ⧁āϤ⧇ āĻĒ⧇⧗āρāϛ⧇ āϝāĻžāĻ“ā§ŸāĻžāϰ āϏāĻ‚āĻ•āϞāύ
āĻŦ⧁āύ⧋ āĻšāĻžāĻ“ā§ŸāĻžā§Ÿ āϘ⧁āĻĄā§āĻĄāĻŋ āĻšāϞ⧋āĨ¤
āϞ⧇āĻĒ-āϤ⧋āώāϕ⧇āϰ āϤ⧋āώāĻžāĻŽā§‹āĻĻ,
āĻ•ā§āϞāĻžāĻ¨ā§āϤ āϏ⧂āĻ°ā§āϝāĨ¤
āĻĻāϰāϜāĻžā§Ÿ—
āĻ•ā§œāĻž āύāĻžā§œāĻž āĻĻ⧇āĻŦāĻžāϰ āϏ⧇āχ
āĻā§‹ā§œā§‹ āϘāϟāύāĻžāχ
āĻŽā§‹āĻŦāĻžāχāϞ⧇ āĻĸā§‹āϕ⧇ āĻ āĻŋāĻ•
āĻ…āĻĨāϚ——
āĻ•ā§āϝāĻžāĻŽāύ āϝ⧇āύ āĻĒāĻŋ, āĻĄāĻŦā§āϞāĻŋāω, āĻĄāĻŋāϏāĻŋāĨ¤

āĻšāϰ⧇āĻ•āĻĒ⧁āϰ – āĻŽā§‹āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻšā§

āĻšāϰ⧇āĻ• āĻĢ⧁āϞ⧇āϰ āĻ…āϞāϏ āĻŦāĻŋāϕ⧇āϞ
āĻšāϰ⧇āĻ• āĻ•āĻĨāĻžāϰ āĻ–ā§ˆ āĻĢ⧁āϟāĻŋā§Ÿā§‡
āĻšāϰ⧇āĻ• āϖ⧇āϞāĻžāϰ āĻ…āĻŦāĻžāĻ• āϜ⧟
āĻšāϰ⧇āĻ• āύāĻŋ⧟āĻŽ āϝāĻ–āύ āϤāĻ–āύ
āĻšāϰ⧇āĻ• āϰāĻ‚ā§Ÿā§‡āϰ āĻŦāĻŋāĻĒāĻ¨ā§āύ āĻšāĻžāϤ
āĻšāϰ⧇āĻ• āϏāĻžāĻĒ⧇āϰ āĻŦāĻžāϜāϛ⧇ āĻŦā§€āĻŖ
āĻšāϰ⧇āĻ• āĻšāĻžāĻŸā§‡ āĻšāϰ⧇āĻ• āĻŦāĻžāϜāĻžāϰ
āĻšāϰ⧇āĻ• āĻ…āĻŸā§‹āϰ āϚāĻžāϞāĻ• āĻ…āύ⧇āĻ•
āĻšāϰ⧇āĻ• āϟāĻŋāĻ­āĻŋāϰ āϏāĻŋāϰāĻŋāϜ āϗ⧁āϞ⧋
āĻšāϰ⧇āĻ• āϘāĻžāĻŸā§‡āϰ āĻšāĻžāϜāĻžāϰ āύāĻžāĻ“
āĻšāϰ⧇āĻ• āĻŽāĻžāϠ⧇ āϞāĻžāĻ āĻŋāϰ āϖ⧇āϞ
āĻšāϰ⧇āĻ• āϤ⧇āϞ⧇āϰ āĻŦāĻžāϜāĻžāϰ āĻŽāĻžāϤ
āĻšāϰ⧇āĻ• āĻĢāĻŋāĻ•āĻŋāϰ āĻĢāĻ¨ā§āĻĻāĻŋ āφāρāϟāĻž

āϏāĻŦ āĻšāϰ⧇āϕ⧇āϰ āĻ āĻŋāĻ•āĻžāύāĻž āĻāĻ•
āϏ⧇āχ āĻ āĻŋāĻ•āĻžāύāĻž āĻšāϰ⧇āĻ•āĻĒ⧁āϰāĨ¤

āĻ—āϤāĻŋāĻŽā§Ÿ āφāϰ āĻ—ā§€āϤāĻŋāĻŽā§Ÿ – āĻŽā§‹āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻšā§

āĻļāĻžāϞ⧀āύāϤāĻžāϰ āĻŦāĻŋāĻĒāύāĻŋ āϖ⧁āϞ⧇āϛ⧇
āωāĻ¤ā§āϤ⧁āϰ⧇ āĻ†ā§Ÿāύ āĻŦāĻžā§Ÿā§āĨ¤

āĻŦāĻŋāĻĒāĻ¨ā§āύ-āĻŦāĻŋāĻ¸ā§āĻŽā§Ÿā§‡āϰ āύ⧀āϞ āϏāĻŽā§āĻĻā§āϰ⧇
āϭ⧇āϤāϰ⧇ āϜāϞ āĻĒ⧜āĻžāϰ āĻ›āĻ¨ā§āĻĻāĻļā§€āϞāĻž
āĻāĻ°ā§āĻŖāĻž āĻāĻ•āĨ¤
āϏāĻŋāĻ¨ā§āĻĨ⧇āϟāĻŋāĻ• āĻļāĻŦā§āĻĻ⧇āϰ āĻ•āĻžāϰ⧁āĻ•āĻžāĻœā§‡
āĻāĻĒāĻžāĻ°ā§āϟāĻŽā§‡āĻ¨ā§āϟ āϏāĻžāϜāĻŋā§Ÿā§‡ āĻ…āĻĒ⧇āĻ•ā§āώāĻžā§Ÿ āφāϛ⧇
āĻ…āύāĻ—ā§āϰāϏāϰ āĻŽāĻžāύ⧁āώāĨ¤
āφāĻŦāĻšāĻŽāĻžāύ āύāĻĻā§€āϰ āĻ—āĻžā§Ÿā§‡ āϤāĻŦ⧁
āϏāĻšāĻ¨ā§€ā§Ÿ āĻĒāĻ°ā§āϝāĻžā§Ÿā§‡āϰ āϏāϰāĻŦ āĻĸ⧇āωāĨ¤

āĻĒāĻžāĻ•āĻ¸ā§āĻĨāϞ⧀āϰ āĻ…āĻ¨ā§āĻĻāϰ⧇ āϝ⧌āĻĨ āĻŽāĻšā§œāĻž,
āĻŦāĻŋāĻļ⧁āĻĻā§āϧ āĻ•ā§āϞ⧋āĻŽāϰāϏ⧇āϰ āĻŽāĻŋāύāĻŋāĻŽāĻžāĻŽ āĻĄā§‹āϜ
āĻĄāĻžāĻ•ā§āϤāĻžāϰ⧇āϰ āĻ…āĻ•āĻžāĻŸā§āϝ āύāĻŋāĻ°ā§āĻĻ⧇āĻļāύāĻž,
āĻĒā§‹āĻ¸ā§āϟāĻžāϰ⧇ āĻĒā§‹āĻ¸ā§āϟāĻžāϰ⧇ āĻ…āĻŦāϗ⧁āĻ¨ā§āĻ āύāĨ¤

āύāĻŋ⧟āĻŽāĻŋāϤ āĻĒāĻĨāϏāĻ­āĻžā§Ÿ āĻ˜ā§‹āώāĻŖāĻž āĻĻāĻŋā§Ÿā§‡āϛ⧇
āĻ“āϰāĻž—-
āφāĻ—āĻžāĻŽ āĻĢāϏāϞ⧇ āϚāĻžāχ āϤāĻžāϰ āĻĒā§āϰāϤāĻŋāĻļā§āϰ⧁āϤāĻŋ,
āĻ…āĻ•āĻžāϤāϰ⧇ āωāρāĻ•āĻŋ āĻĻāĻŋā§Ÿā§‡ āϝāĻžā§Ÿ
āϝ⧁āϗ⧇āϰ
āĻĒā§āϰāĻļāĻžāĻ¨ā§āϤāĻŋāĨ¤
āϚāĻŋāϞ-āĻļāϕ⧁āύ⧇āϰ āϟāĻ•āĻļā§‹āϤ⧇
āϏāϰāĻŦ āĻ•āĻŦāĻŋāĻŦ⧃āĻ¨ā§āĻĻ⧇āϰ āĻŦā§āϝāĻžāϗ⧇āϰ āϭ⧇āϤāϰ
āĻ…āύāĻžāĻŦāĻŋāĻˇā§āĻ•ā§ƒāϤ āφāϰ⧇āĻ• āĻĒ⧃āĻĨāĻŋāĻŦā§€āĨ¤

āωāĻ¤ā§āϤ⧀āĻ°ā§āĻŖ āϏāĻŽāϝāĻŧ⧇āϰ āĻ›āĻžāϝāĻŧāĻžāϤāϞ⧇ – āĻŽā§‹āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻšā§

āύāĻŋāϖ⧁āρāϤ āĻĒāĻžāϞāϞāĻŋāĻ• āϏ⧁āĻ– āĻŦāĻŋāĻ¨ā§āϝāĻžāϏ
āφāϰāĻ•ā§āϤāĻŋāĻŽ āĻĒāĻžāĻĒāĻĄāĻŧāĻŋāϤ⧇ āϞ⧇āϗ⧇āĻ›āĻŋāϞ āĻŦāϞ⧇āχ āĻšāϝāĻŧāϤ⧋ āĻ…āĻšāĻ‚āĻŦā§‹āϧ⧇āϰ āĻ…āϪ⧁ āĻĒāϰāĻŽāĻžāϪ⧁ āĻĻāĻŋāϝāĻŧ⧇
āϞāĻŋāϖ⧇ āϰāĻžāĻ–āĻŋ āĻĒā§āϰ⧇āĻŽā§‡āϰ āĻāĻĒāĻŋāĻ•
āĻ…āĻĒā§‚āĻ°ā§āĻŦ āĻļāϤāĻĻāϞ⧇,
āϤāĻžāχ āĻŦāĻŋāĻŽā§‚āĻ°ā§āϤ āϰ⧂āĻĒ⧇āϰ āĻ›āϞāϕ⧇ āĻ“āĻ āĻž
āφāĻŦāĻžāĻšāύāĨ¤

āύāĻŋāĻĒāĻžāϟ āĻ­āĻĻā§āϰāϤāĻžāϰ āĻŽā§‡āϘ āϗ⧇āϛ⧇
āĻ¸ā§āĻŦā§‹āĻĒāĻžāĻ°ā§āϜāύ⧇, āϏāϤāϤ āϏāĻžāρāϤāĻžāϰ āĻ•āĻžāĻŸā§‡āĨ¤
āϜ⧁āĻĄāĻŧ⧇ āĻĻāĻŋāϞāĻžāĻŽ āφāϝāĻŧāύāĻŋāϤ āϏ⧁āϖ⧇āϰ āĻĒā§āϰ⧋āϟāύ,
āϤāĻŋāϞāĻ• āĻĒāϰāĻž āĻāĻ•āϜāύ⧇āϰ āĻ…āĻŦāĻŋāϰāĻžāĻŽ āĻļ⧁āϭ⧇āĻšā§āĻ›āĻž
āφāϰ āϝāϤ āĻŦāĻ°ā§āĻŖāĻžāĻĸā§āϝ āϞāĻŋāĻĒāĻŋāϤ⧇—–
āϛ⧇āϝāĻŧ⧇ āϗ⧇āϛ⧇ āĻŽā§āĻ—ā§āϧāϤāĻžāϰ āĻĢ⧁āϞ
āĻŦāĻ°ā§āώāĻžāϰ āĻĒāĻžāĻ  āĻĒāϰāĻŋāĻ•ā§āϰāĻŽāĻžāϝāĻŧāĨ¤
āϜāϞāĻŦāϤ⧀ āϏāĻ•āĻžāϞ⧇āϰ āĻļ⧁āĻ­ā§āϰ āϤāĻžāϰ āφāĻŦāĻžāĻšāύ⧇
āĻĒā§āϰ⧀āϤāĻŽ āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻžāϰ āĻ…āĻŽāĻŋāϝāĻŧ āϚāĻŋāĻ āĻŋāĻ“
āϞāĻŋāϖ⧇āĻ›āĻŋāϞ⧋ āĻāĻ•āϟāĻžāĨ¤

āφāĻšā§āύāĻŋāĻ• āĻļāĻŋāϰ⧋āύāĻžāĻŽ – āĻŽā§‹āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻšā§

āϝ⧇ āĻ•āĻŋāύāĻž āĻāϝāĻžāĻŦā§Ž āϜāϟāĻŋāϞ āϏāĻŽā§€āĻ•āϰāϪ⧇āϰ
āϏāĻžāρāϕ⧋āϤ⧇
āύāĻŋāσāĻļ⧇āώ⧇ āĻŦāĻŋāĻ­āĻžāĻœā§āϝ āĻ›āĻŋāϞ,
āĻĢāϞāĻŋāϤ āĻœā§€āĻŦāύ⧇āϰ āϤ⧃āĻˇā§āĻŖāĻžāϝāĻŧ āϧ⧁āρāĻ•āϛ⧇ āϤāĻžāχ
āĻ­āĻ—ā§āύāĻšā§ƒāĻĻāϝāĻŧ
āĻĒāϰāĻŋāĻ–āĻž-āĻĒāĻžāĻĄāĻŧ⧇āϰ āĻŽāĻžāύ⧁āώāĨ¤

āĻ•āĻžāĻ•āϤāĻžāϞ⧀āϝāĻŧ āĻ•āĻŋāϛ⧁āϟāĻž
āĻļāĻžāϏāύāϝāĻœā§āĻž āĻĨāĻŽāϕ⧇ āĻĻāĻŋāϝāĻŧ⧇
āφāĻ¸ā§āĻĢāĻžāϞāύ⧇āϰ āĻšāĻžāĻĒāĻŋāĻ¤ā§āϝ⧇āĻļ,
āĻšāĻžāĻ™ā§āĻ—āϰ⧇āϰ āĻŽā§āϖ⧇ āĻ­ā§‚āϤ āĻ­āĻŦāĻŋāĻˇā§āĻ¯ā§Ž āĻ•āĻžāρāĻĒ⧇
āĻŦāĻžāĻšā§āϚāĻž āĻ•āĻŦ⧁āϤāϰ⧇āϰ āĻŽāϤ⧋,
āĻ•āĻžāϝāĻŧāĻŽāύ⧋āĻŦāĻžāĻ•ā§āϝ⧇ āĻœā§āĻŦāϞāĻœā§āĻŦāϞ āĻ•āϰāĻ›āĻŋāϞ āĻŦāύāϜ āϏ⧁āĻ¨ā§āĻĻāϰ
āĻĨāĻŋāϤāĻŋāϝāĻŧ⧇ āϗ⧇āϛ⧇ āĻĒāϰāĻŋāĻ¸ā§āϰ⧁āϤāĻ•āĻžāϞāĨ¤

āĻŦ⧇āĻĻāύāĻžāϰ āϏāĻŋāϰāĻŋāĻœā§‡āϰ āĻĒāϰāĻŋāĻŽāĻŋāϤ āĻĒāϰāĻžāĻ—āĻžāϝāĻŧāύ⧇
āφāĻ—āĻžāĻŽ āĻ•āĻžāĻŦā§āϝ⧇āϰ āϏāĻ°ā§āϗ⧇ āϏāĻ°ā§āϗ⧇ āϗ⧁āĻžā§āϜāύ
āĻāĻ•āĻžāϧāĻŋāĻ•āĻŦāĻžāϰ āĻšā§‡āϝāĻŧ⧇āĻ›āĻŋāϞ,
āĻŦāĻžāϰāĻžāĻ¨ā§āĻĻāĻžāϝāĻŧ āϝ⧇āύ āĻāϞāĻŋāϝāĻŧ⧇ āĻĒāĻĄāĻŧ⧇ āϟāĻ—āϰ āĻŦ⧇āϞāĻŋ’
āύāĻžāĻ¨ā§āĻĻāύāĻŋāĻ• āϏāĻ•āĻžāϞ⧇āϰ āϰ⧋āĻĻ⧇
āφāϞ⧁āĻĨāĻžāϞ⧁ āϘ⧁āĻŽā§‡āϰ āĻĒā§āϰāĻŖā§‹āĻĻāύāĻžāϝāĻŧāĨ¤

āύāĻŋāĻŽāĻ—ā§āύ āĻāĻĄāĻŧā§‹ āĻšāĻžāĻ“āϝāĻŧāĻž – āĻŽā§‹āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻšā§

āĻā§‹āϞāĻž āĻ•āĻžāρāϧ⧇ āĻ…āĻŽāϞ āĻāĻ•āϟāĻŋ
āύāĻŋāĻ°ā§āĻŽāϞ āϚāĻŋāĻ āĻŋāĻ“ āϞāĻŋāϖ⧇āĻ›āĻŋāϞ⧋
āĻŦāϰāĻŋāώāĻŖ āĻĒāϰ⧇āĨ¤
āĻŦāĻŋāĻ•ā§āώ⧁āĻŦā§āϧ āĻĸ⧇āωāϝāĻŧ⧇āϰ āĻ āĻŋāĻ•āĻžāύāĻžāϝāĻŧ
āωāĻšā§āĻ›āĻ¨ā§āύ⧇ āϝāĻžāĻ“āϝāĻŧāĻž āĻŦāĻ¨ā§āϧāύāĻšā§€āύ āϖ⧇āϞ⧁āĻĄāĻŧ⧇
āĻ•āĻŦāĻŋāϰ āĻŽāϤ⧋
āϝāĻ–āύ āύāĻŋāĻļāĻŋāϝāĻžāĻĒāύ āĻ•āϰāϤ⧇ āĻ•āϰāϤ⧇
āϞāĻžāĻ—āĻžāĻŽ āϛ⧇āρāĻĄāĻŧ⧇,
āĻĨ⧁āĻŦāĻĄāĻŧ⧇ āĻĒāĻĄāĻŧ⧇ āύ⧈āϤāĻŋāĻ•āϤāĻžāϰ āĻ˜ā§‹āĻĄāĻŧāĻž
āϏāĻŽāϤāϞ⧇, āĻŽā§ƒāĻ¤ā§āϤāĻŋāĻ•āĻžāϰ āĻ—āĻžāύ āĻĨāĻžāĻŽāĻŋāϝāĻŧ⧇ āĻĻāĻŋāϝāĻŧ⧇ āϝāĻžāϝāĻŧ āĻŦ⧇āύāĻŋāϝāĻŧāĻž āĻļāĻžāϏāύ ;
āφāĻŽā§ƒāĻ¤ā§āϝ⧁ āϚāϞ⧇ āϤ⧁āĻ–ā§‹āĻĄāĻŧ āĻ•āĻŦāĻŋāϤāĻžāϚāϝāĻŧāύ
āĻœā§‹āĻĄāĻŧāĻžāϞ⧋ āĻļāĻžāĻ–āĻžāϝāĻŧāĨ¤
āĻļ⧁āύāĻŋ āĻāĻĄāĻŧā§‹ āϏāĻ‚āϞāĻžāĻĒāĨ¤
āĻŽāĻžāϟāĻŋāϰ āϝāϤ āĻ—āĻžāύāĨ¤
āĻĸ⧇āϞ⧇ āĻĻ⧇āϝāĻŧāĻž āĻ•āĻˇā§āĻŸā§‡āϰ āϰāϙ⧇ āφāϞāĻĒāύāĻžāϗ⧁āϞ⧋
āϗ⧇āρāĻĨ⧇ āφāϛ⧇
āύāĻŋāϰāĻŦāϧāĻŋ āĻŦāϝāĻŧ⧇ āϚāϞāĻž āύāĻĻā§€āϰ āĻāĻĒāĻžāĻļ, āĻ“āĻĒāĻžāĻļ⧇āϰ
āϝāĻžāĻŦāϤ⧀āϝāĻŧ āĻ­āĻžāĻ™ā§āĻ—āĻžāϚ⧁āϰ⧇āϰ āĻĒāĻĻāĻžāĻŦāϞ⧀
āĻŽāύ⧇āϰ āĻšā§‹āϰāĻžāĻŦāĻžāϞāĻŋāϤ⧇ āφāϟāϕ⧇ āĻ›āĻŋāϞ⧋
āϤāϤāĻĻāĻŋāύāĨ¤

āĻŽā§āϝāĻžāĻ¨ā§āĻĄā§‡āϟ – āĻŽā§‹āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻšā§

āϏ⧁āύ⧀āϞ āϏ⧁āĻ¨ā§āĻĻāϰ āĻĒā§āϰāĻŦāĻšāĻŽāĻžāύ
āύāĻŋāϰāĻžā§āϜāύ āĻāĻ•āϟāĻž āĻāĻ•āϟāĻž
āĻŦāĻŋāĻĻ⧇āĻšā§€ āĻšā§ƒāĻĻāϝāĻŧ-āĻŽāĻ¨ā§āĻĻāĻŋāϰ⧇
āĻŦāĻžāϜāĻŋāϝāĻŧ⧇ āĻĻāĻŋāϞ āϘāĻ¨ā§āϟāĻžāĨ¤
āĻāĻ–āύ āϏ⧇ āύāĻŋāĻœā§‡āĻ“
āϝāĻĨ⧇āĻˇā§āϟ āĻļāĻŦā§āĻĻāĻļ⧈āϞ⧀āϰ āĻŦāĻžāϜāĻžāϰāϜāĻžāϤ⧇
āĻ…āĻ­ā§āϝāĻ¸ā§āϤ āĻšāϝāĻŧ⧇ āωāϠ⧇āϛ⧇,
āϤāĻžāχ āϤāĻžāϰ āĻŦāĻŋāĻļāĻžāϞ āĻĒā§āϰ⧋āĻĒāĻžāĻ—āĻžāĻ¨ā§āĻĄāĻž,
āĻŦāĻŋāĻĒ⧁āϞ āφāϝāĻŧā§‹āϜāύāĨ¤

āĻ—āϤāĻžāϝāĻŧ⧁ āĻŦāĻŋāĻĒāĻŖāύ⧇āϰ āĻŽāĻžāϠ⧇ āĻĄā§āĻŦāĻ¨ā§āϤ āĻĢāϏāϞ⧇āϰ āϏāĻ‚āĻŦāĻžāĻĻ,
āĻ­āĻžāϰāĻžāĻ•ā§āϰāĻžāĻ¨ā§āϤ āĻ•āϞāĻžāĻŽā§‡ āϗ⧁āĻŽā§‹āϟ āĻŦāĻžāϤāĻžāĻŦāϰāϪ⧇ āϏāĻžāĻ¨ā§āĻ¤ā§āĻŦāύāĻž āĻĒ⧁āϰāĻ¸ā§āĻ•āĻžāϰāĨ¤
āϕ⧇āĻŦāϞ āϤāĻŋāύāĻŦ⧇āϞāĻž āĻ…āϭ⧁āĻ•ā§āϤ āĻĨāĻžāĻ•āĻžāϰ āϚāĻ°ā§āϚāĻž āĻŦāĻžāĻĄāĻŧāĻŋāϝāĻŧ⧇ āĻĻāĻŋāϝāĻŧ⧇āϛ⧇ āϏāĻŦāĻžāχ,
āĻĒāĻžāϝāĻŧ⧇āϰ āϤāϞāĻžāϝāĻŧ āĻŽā§‡āĻŸā§‡ āĻĒāϞāϞ⧇ āĻ›āĻžāĻĒāϗ⧁āϞ⧋
āĻ…āϏāĻšāύ⧀āϝāĻŧ āĻĻ⧁āĻ°ā§āĻŦāϞ āĻŦāϞ⧇
āϰāĻžāϜāĻĒāĻĨ⧇ āĻŽāĻŋāĻ›āĻŋāϞāϟāĻž āĻļ⧇āώ āĻšāϝāĻŧ⧇ āϝāĻžāϝāĻŧāĨ¤

āĻ…āύāϧāĻŋāĻ• āϏāĻŽāϝāĻŧ⧇āϰ āϕ⧋āϰāĻ• – āĻŽā§‹āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻšā§

āĻļ⧁āĻĻā§āϧ āĻ¸ā§āĻŦāϰ āĻŦāĻ¨ā§āϧ āϰ⧇āϖ⧇āϛ⧇ āϜāĻžāύāĻžāϞāĻžāϝāĻŧ
āφāϰ āĻšāĻžāϏ⧇ āύāĻž āϰ⧋āĻĻāĨ¤
āϜāĻŋāχāϝāĻŧ⧇ āϰāĻžāĻ–āĻž āĻĒāĻžāĻŖā§āĻĄā§āϞāĻŋāĻĒāĻŋāϟāĻž
āĻĢ⧇āϰāϤ āĻāϏ⧇āϛ⧇ āϝ⧇āĻĻāĻŋāύ—
āĻŦā§āϝāĻĨāĻžāϤ⧁āϰ āĻŸā§āϰāĻžāĻ‚āϕ⧇āϰ āϭ⧇āϤāϰ⧇
āϝāĻĻā§āĻĻ⧁āϰ āϝ⧁āĻĻā§āϧ āĻ•āϰāϤ⧇ āĻĒ⧇āϰ⧇āϛ⧇ āφāϰāĻļā§‹āϞāĻžāϟāĻž,
āĻšāĻžāϰāĻŋāϝāĻŧ⧇āϛ⧇ āϤāĻžāϰ āĻ¨ā§āϝ⧂āύāϤāĻŽ āĻ…āĻ•ā§āϏāĻŋāĻœā§‡āύ
āĻšāĻžāϰāĻŋāϝāĻŧ⧇āϛ⧇ āĻŦ⧇āρāĻšā§‡ āĻĨāĻžāĻ•āĻŦāĻžāϰ āĻŽā§āϝāĻžāĻ¨ā§āĻĄā§‡āϟāĨ¤
āĻĒāĻĨāϗ⧁āϞ⧋ āύāĻŋāϕ⧇āĻļ āĻ•āϰāĻž āχāĻ¸ā§āĻĒāĻžāϤ-āϟāĻŋāύ,
āϖ⧁āχāϝāĻŧ⧇āϛ⧇ āϏāĻžā§āϚāĻŋāϤ āĻĒā§āϰāĻœā§āĻžāĻž
āϖ⧁āχāϝāĻŧ⧇āϛ⧇ āĻœā§€āĻŦāύ⧇āϰ āĻ…āϞāĻŋāĻ–āĻŋāϤ āĻ…āĻ§ā§āϝāĻžāϝāĻŧāĨ¤
āϜ⧁āĻĄāĻŧāĻŋāϝāĻŧ⧇ āϝāĻžāϝāĻŧ āϝāϤ āωāĻˇā§āĻŖāϤāĻž āĻ›āĻŋāϞ⧋
āϜāĻŦāĻž,āĻ•āĻŋāĻ‚āĻļ⧁āϕ⧇
āϜ⧁āĻĄāĻŧāĻŋāϝāĻŧ⧇ āϝāĻžāϝāĻŧ āϝāϤ āωāĻˇā§āĻŖāϤāĻž āĻ›āĻŋāϞ⧋
āϰāĻŽāĻž,āĻ•āĻžāĻ¨ā§āϤāĻžāϰ āĻĒā§āϰ⧇āĻŽā§‡āϰ āĻĒāĻ™āĻ•ā§āϤāĻŋāĻŽāĻžāϞāĻžāϝāĻŧāĨ¤

āφāϝāĻŧāύāĻžāϟāĻžāϰ āĻĒ⧇āĻ›āύ⧇āϰ āĻ—āĻ˛ā§āĻĒ – āĻŽā§‹āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻšā§

āĻŦ⧇āĻļ āϰāĻ•ā§āϤāĻžāĻ•ā§āϤ āύāϤ⧁āύ āύāϤ⧁āύ āĻ—āĻ˛ā§āĻĒ
āφāϰ āĻšāĻšā§āϛ⧇ āύāĻžāĨ¤
āĻŦāĻŋāώāĻŖā§āĻŖāϤāĻžāϰ āϞāϤāĻŋāϝāĻŧ⧇ āĻ“āĻ āĻž
āĻ•āĻžāϝāĻŧāĻŋāĻ• āĻ•āĻŦāĻŋāϤāĻžāϗ⧁āϞ⧋
āϘ⧁āϰāϤ⧇ āϘ⧁āϰāϤ⧇
āĻ…āĻ­ā§‚āϤāĻĒā§‚āĻ°ā§āĻŦ āĻŦ⧃āĻ¤ā§āϤāϚāĻžāĻĒ āĻšāϝāĻŧ⧇āϛ⧇
āĻŽāύāύ⧇āϰ āĻŦāĻžāϰāĻžāĻ¨ā§āĻĻāĻžāϝāĻŧāĨ¤

āĻ–ā§‹āϞāĻž āĻŦāĻžāϤāĻžāϏ⧇āϰ āϚāĻĄāĻŧ⧁āχ
āĻ–āĻĄāĻŧāϕ⧁āĻŸā§‹āϰ āϏāĻžāĻĨ⧇ āωāĻĄāĻŧ⧇ āϗ⧇āϛ⧇ āĻāĻĄāĻŧ⧇āĨ¤
āĻŦāĻŋāϜāύ āĻŦāύ⧇āϰ āĻšā§āĻšā§ āĻ•āϰāĻž āϘ⧁āϘ⧁āϟāĻžāϰ
āφāĻŽāĻŋāĻ¤ā§āĻŦāĻŦā§‹āϧ⧇ āĻĻā§āϝ⧋āϤāύāĻž āϜāĻžāĻ—āϞ⧇āĻ“
āĻŦāϰāĻžāĻŦāϰ⧇āϰ āĻŽāϤ⧋āχ āĻāϞāϏ⧇ āĻ“āϠ⧇
āφāϞ⧇āϝāĻŧāĻž

āϚāĻŽāĻ• – āĻŽā§‹āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻšā§

āφāĻšā§āĻ›āĻžāĻĻāĻŋāϤ āĻŽāĻžāϝāĻŧāĻžāĻŦā§€ āϜāĻžāϞāĻŦ⧁āύāύ,
āĻāχāĻŦ⧇āϞāĻž āϚ⧌āĻšāĻĻā§āĻĻāĻŋāϰ āĻŽāĻ§ā§āϝ⧇
āĻļ⧁āϧ⧁āχ āĻāĻ•āĻžāĻ¨ā§āύāĻŦāĻ°ā§āϤ⧀ āĻļāĻŦā§āĻĻ⧇āϰ āĻĒāĻžāĻĒāĻĄāĻŧāĻŋāϤ⧇
āĻŽāϧ⧁āĻĒāĻŋāϝāĻŧāĻžāϏ⧀āϰ āφāĻŽāĻ¨ā§āĻ¤ā§āϰāĻŖāĨ¤

āύāĻŋāϰāĻ¸ā§āĻ¤ā§āϰ āĻŽā§‡āϘāύāĻžāĻĻ⧇āϰ āĻŽāϤ⧋
āĻ…āĻ¨ā§āϤāĻ°ā§āύāĻŋāĻšāĻŋāϤ āĻāĻ•āϟāĻŋ āĻ•āĻžāρāϟāĻž-āϏāĻ‚āϕ⧁āϞ āĻŦā§āϝāĻĨāĻžāϰ
āύ⧇āχ āϕ⧋āύ⧋ āĻĒāϰāĻŋāĻŽāĻžāĻĒāĨ¤

āϜāĻžāϰāĻŋāϤ āĻŽā§‡āϧāĻžāϕ⧇ āϏāĻ“āĻĻāĻž āĻŦāĻžāύāĻŋāϝāĻŧ⧇
āĻŦāĻžāϜāĻžāϰ āĻŽāĻžāϤāĻžāύ⧋ āĻ›āĻ¨ā§āĻĻ⧇āϰ āĻĒāϏāĻžāϰ⧀ āĻšāĻŦāĻžāϰ
āϕ⧋āύ⧋āĻ•āĻžāϞ⧇ āχāĻšā§āϛ⧇ āĻ›āĻŋāϞ āύāĻž,
āĻļ⧁āϧ⧁ āĻļ⧁āϧ⧁ āϚāĻŽāĻ•āĻŋāϤ āφāĻšā§āϞāĻžāĻĻ⧇āϰ
āĻ–ā§‹āϞāĻžāĻŦāĻžāϜāĻžāϰ⧇
āϝāϤ⧋āϏāĻŦ āĻŦāĻžāύ⧋āϝāĻŧāĻžāϟ āĻŦāĻ¨ā§āĻĻāύāĻžāϝāĻŧ
āϝāĻžāϝāĻŧ āϕ⧇āĻŸā§‡,
āĻ…āĻŦāĻŋāĻ¨ā§āϝāĻ¸ā§āϤ,
āϜāϟāĻŋāϞ āύāĻŋāϕ⧇āĻļ⧇āϰ āĻ…āĻ°ā§āĻĨ- āĻŦāĻ›āϰ
āϕ⧇āĻŸā§‡ āύ⧇āϝāĻŧ āĻ…āĻĒāĻ¤ā§āϝ āĻ¸ā§āύ⧇āĻš-āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻžāϰ
āĻ…āĻ—āĻžāϧ āĻŦāĻŋāĻļā§āĻŦāĻžāϏāĨ¤

āĻĄā§āĻŦ⧇ āϝāĻžāϝāĻŧ āϕ⧇āĻŦāϞāχ – āĻŽā§‹āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻšā§

āĻā§āρāĻ•āĻŋ āύāĻŋāϤ⧇ āĻĒāĻžāϰāϛ⧇āύāĻž āϕ⧇āω,
āϤāĻžāχ āϝāϤ āĻ…āύ⧁āϝ⧋āĻ—, āĻ…āĻ­āĻŋāϝ⧋āϗ⧇āϰ āϞāĻžāĻ—āĻžāϤāĻžāϰ āĻŦāĻŋāĻ¸ā§āĻĢā§‹āϰāĻŖ āϘāĻŸā§‡ āĻŦ⧁āϕ⧇āϰ āĻŽā§‹āĻĄāĻŧ⧇ āĻŽā§‹āĻĄāĻŧ⧇āĨ¤
āĻ…āĻ¸ā§āĻĨāĻŋāϤāĻŋāĻļā§€āϞ āĻļāĻŦā§āĻĻ⧇āϰ āĻĻ⧇āϝāĻŧāĻžāϞ
āϤāĻžāχ āĻ¸ā§āĻ–āϞāĻŋāϤ āχāĻŸā§‡āϰ
āĻāĻ• āĻāĻ•āϟāĻž āĻŦāĻžāϤāĻŋāϞ āĻ…āĻ§ā§āϝāĻžāϝāĻŧāĨ¤
āĻ…āĻ¨ā§āϧāĻ•āĻžāϰ⧇ āϏāĻšāϏāĻž āĻœā§āĻŦāϞ⧇ āĻ“āĻ āĻž āϰāĻ•ā§āϤāϜāĻŦāĻž
āĻ¸ā§āĻĒāĻ°ā§āϧāĻž āĻŦ⧁āϕ⧇ āĻšā§‡āĻĒ⧇āχ āĻšāĻžāρāϟāĻŋ,
āϤ⧋āĻŽāĻžāϰ āĻŦāĻŋāϞāĻžāϏāĻŦāĻšā§āϞ āĻŽāύ⧇āϰ āĻĒāĻžāĻļ⧇āϰ āϏāϰāĻŖā§€āϤ⧇āĨ¤ āĻ—āϤāĻžāύ⧁āĻ—āϤāĻŋāĻ• āĻŦ⧇āĻĄāĻŧāĻž āϗ⧁āϞ⧋ āĻĄāĻŋāϙ⧋āĻŦāĻžāϰ
āĻ¸ā§ŽāϏāĻžāĻšāϏ āĻŽāϰ⧇ āϗ⧇āϛ⧇āĨ¤
āĻŦāĻŋāϰāĻžāϜāĻŽāĻžāύ
āĻāϞ⧋āĻŽā§‡āϞ⧋ āϤ⧁āĻĢāĻžāύ āĻāϞ⧋ āĻŦāϞ⧇–
āĻšā§‡āϤāύāĻžāϰ āϏāĻžāρāϤāĻžāϰ⧁-āϏ⧁āĻ–
āĻĄā§āĻŦ⧇ āϝāĻžāϝāĻŧ,
āϕ⧇āĻŦāϞāχ āĻĄā§āĻŦ⧇ āϝāĻžāϝāĻŧāĨ¤

āĻĻāĻžāρāĻĄāĻŧāĻŋāϝāĻŧ⧇ āĻĨāĻžāĻ•āĻž āĻŦāĻŋāύ⧋āĻĻ āĻĒāĻšāϰ – āĻŽā§‹āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻšā§

āĻœā§€āĻŦāύ⧇āϰ āϜāϟāĻŋāϞāϤāĻž āϏāĻŽāĻžāĻĒāύ⧇āϰ āϝāϤ⧇āĻ• āωāĻĒāĻĒāĻžāĻĻā§āϝ āĻŽā§āĻ–āĻ¸ā§āĻĨ āĻ•āϰāĻ›āĻŋ
āĻšā§ƒāĻĻ-āĻŦāĻžāϰāĻžāĻ¨ā§āĻĻāĻžāϝāĻŧ āϤāϤ⧋
āĻ›āϞāϕ⧇ āĻ“āĻ āĻž āύāϰāĻŽ āφāϞ⧋āϰ āĻŽāϤ⧋ āĻāĻ•āϟāĻŋ āύ⧋āϞāĻ•, āϤ⧋āĻŽāĻžāϰ āϜāĻ¨ā§āϝ āĻŦā§āϝāĻžāϕ⧁āϞāϤāĻžāϕ⧇ āωāĻ¸ā§āϕ⧇ āĻĻāĻŋāϝāĻŧ⧇ āϝāĻžāϝāĻŧāĨ¤ āĻļā§āϝāĻžāĻŽāϞāĻž āĻĒāĻžāĻšāĻžāĻĄāĻŧ⧇āϰ āϝ⧋āύāĻŋāĻŽā§āϖ⧇
āϤāϰ⧁āĻŖ āϤāϰ⧁āĻŖ
āĻāĻ°ā§āĻŖāĻžāϰ āφāĻŦ⧇āĻļ,
āĻ…āύ⧁āĻ­āĻŦ āĻ•āϰāĻ›āĻŋ āφāϜāĻ¨ā§āĻŽ āϚāĻŋāĻ¤ā§āϰāĻžāϝāĻŧāύ⧇āĨ¤

āϤ⧁āϞ⧇āϛ⧇ āĻ…āĻŦāĻŋāϰāĻžāĻŽ āφāĻļā§āĻŦāĻŋāύ⧀ āĻāĻĄāĻŧ,
āφāϏ⧇ āĻĻāϰ⧋āϜāĻžāϰ āĻĒāĻžāĻļ⧇
āωāĻĒāĻšā§‡ āĻĒāĻĄāĻŧāĻž āĻŦāĻŋāύ⧋āĻĻ āĻĒāĻšāϰ⧇āĨ¤

āĻŦ⧇āĻœā§‡āϛ⧇ āĻĸāĻžāĻ•, āĻ•āϰāϤāĻžāϞ
āĻŦāĻŋāϰāĻžāĻ—ā§€ āĻ•āϰāĻŋāĻĄā§‹āϰ⧇,
āĻļāĻŋāωāϞāĻŋ-āĻŦāϕ⧁āϞ⧇-āϏāϰ⧋āĻœā§‡āϰ āϏāĻžāϜāĻŋ āĻšāĻžāϤ⧇
āϚāϞ⧇ āĻāϏ⧋ āύ⧀āϰāĻŦ⧇,
āϚāϟ⧁āϞ āύāĻŋāĻ•ā§āĻŦāϪ⧇āĨ¤

āĻāĻ• āϞ⧋āĻšāĻŋāϤāĻžāĻ­ āϚāĻŋāĻ¤ā§āϰāĻĒāϟ – āĻŽā§‹āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻšā§

āϏāĻžāρāĻĄāĻŧāĻžāĻļāĻŋ āĻŦ⧁āϞ⧇āĻŸā§‡ āĻ›āĻŋāĻ¨ā§āύāĻ­āĻŋāĻ¨ā§āύ āύāĻ•ā§āώāĻ¤ā§āϰ⧇āϰ āĻŦāĻžāĻ—āĻžāύ āĨ¤

āĻ•ā§āώ⧁āĻĻāĻŋāϰāĻžāĻŽā§‡āϰ āĻŦāĻœā§āϰ-āĻļāĻĒāĻĨ
āϭ⧇āϙ⧇ āĻĻāĻŋāϝāĻŧ⧇ āφāϏ⧇ āĻŦā§āϰāĻŋāϟāĻŋāĻļ āĻŦ⧇āύāĻŋāϝāĻŧāĻžāϰāĻž
āĻŦāĻžāϰāĻŦāĻžāϰ;

āϏ⧁āύāϏāĻžāύ āĻ…āĻĻā§āϭ⧁āϤ⧁āĻĄāĻŧ⧇ āφāĻ•āĻžāĻļ⧇ āĻŦāĻĄā§āĻĄ āύ⧀āϰāĻŦāϤāĻž!
āĻŽā§‡āϘāĻŽāĻ˛ā§āϞāĻžāϰ⧇ āϰāĻ•ā§āϤāĻžāĻ•ā§āϤ āĻļāĻžāĻ°ā§āĻŸā§‡āϰ āĻ¸ā§āĻŽā§ƒāϤāĻŋāϚāĻžāϰāĻŖ,
āχāϤāĻŋāĻšāĻžāϏ⧇āϰ āĻĻ⧇āϝāĻŧāĻžāϞ āϜ⧁āĻĄāĻŧ⧇ āĻļā§āϝāĻžāĻ“āϞāĻžāϰ āϏāĻ‚āϏāĻžāϰ āĨ¤
āĻšāĻ āĻ•āĻžāϰ⧀ āĻ•āϞāĻŽā§‡āϰ āĻĻāĻžāϗ⧇ āĻĒāϰāĻŋāĻ¤ā§āϝāĻ•ā§āϤ āϏ⧁āĻ–,
āϧāĻŽāύ⧀āϰ āĻĻāϰāϜāĻžāϗ⧁āϞ⧋ āĻŦāĻ¨ā§āϧ,

āĻŦāĻŋāĻ•ā§āώ⧋āϭ⧇āϰ āĻ¸ā§āĻŦāĻžāϧ⧀āύāϤāĻž —- āϏ⧃āĻˇā§āϟāĻŋāϰ āωāĻ˛ā§āϞāĻžāϏ āύ⧇āχ
āĻĒā§āϰāĻ•āĻžāϰāĻžāĻ¨ā§āϤāϰ⧇āĨ¤
āĻŽā§ƒāĻ¤ā§āϝ⧁-āĻŽāĻŋāĻ›āĻŋāϞ⧇āϰ āϏ⧂āϚāϕ⧇āϰ āĻ…āĻ—ā§āϰāĻ­āĻžāĻ—
āφāϤāĻ™ā§āĻ•āĻŋāϤ āĻĒ⧃āĻĨāĻŋāĻŦā§€āϰ āϏāĻŦ⧁āϜ āĻ¸ā§āĻĒāĻ¨ā§āĻĻāύ !

āĻĻāĻŋāĻ•āĻ­ā§āϰāĻžāĻ¨ā§āϤ āĻĒāĻĨāĻŋāϕ⧇āϰ āĻŽāϤ⧋āχ āĻšāĻ¨ā§āϝ⧇ āĻšāϝāĻŧ⧇
āϖ⧁āρāĻœā§‡ āĻŦ⧇āĻĄāĻŧāĻžāĻšā§āĻ›āĻŋ —
āĻ¸ā§āĻŦāĻžāϧ⧀āύāϤāĻžāϰ āϏāĻ āĻŋāĻ• āĻ…āĻ°ā§āĻĨāĨ¤

āĻŽā§‹āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻš | Md Shohidullah

Bengali Poetry 2023 | āĻĄāĻžāσ āĻŽāĻžāϧāĻžāχ āĻŽāĻŋāĻĻā§āϝāĻž | āĻ•āĻŦāĻŋāϤāĻžāϗ⧁āĻšā§āĻ› ⧍ā§Ļā§¨ā§Š

Bengali Article 2023 | āĻĻ⧁āĻ°ā§āĻ—āĻž āĻĒā§‚āϜāĻžāϰ āĻ•āĻĨāĻ•āϤāĻž | āĻĒā§āϰāĻŦāĻ¨ā§āϧ ⧍ā§Ļā§¨ā§Š

Bengali Story 2023 | āϰ⧂āĻĒāĻļāĻ™ā§āĻ•āϰ āφāϚāĻžāĻ°ā§āĻ¯ā§āϝ | āĻ—āĻ˛ā§āĻĒāϗ⧁āĻšā§āĻ› ⧍ā§Ļā§¨ā§Š

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Shabdodweep Web Magazine | Bangla Kobita Platform | Md Shohidullah

The world of Bangla Kobita Platform is a rich and diverse space where poetry lovers can explore the timeless beauty of Bengali Poems, Bengali Rhymes, and Bengali Literature. It serves as an essential platform for poetry enthusiasts, offering a wide range of literary works that reflect the depth of Bengali culture and creativity. Whether you’re a fan of classic Bengali Poetry or a seeker of modern expressions, the Bangla Kobita Platform provides a vast repository of works to satisfy every literary appetite.

Shabdodweep Web Magazine is one such platform that brings together the finest poetry, stories, and Bengali Literature. By showcasing works of poets, including Md Shohidullah, it provides a comprehensive view of the Bangla Kobita world. Let’s dive deeper into the significance of this platform and explore how it nurtures Bengali literary traditions.

What Makes the Bangla Kobita Platform Special?

The Bangla Kobita Platform is a one-stop destination for anyone interested in Bengali Poetry. It brings together various forms of Bengali Poems, including traditional rhymes, lyrical poems, and contemporary poetic works. The beauty of the Bangla Kobita Platform lies in its ability to offer a diverse range of poetic styles, from romantic verses to thought-provoking, philosophical musings.

Through the years, Bengali literature has evolved to reflect changing social, political, and personal experiences. This platform embraces that evolution by offering a collection of Bengali Poetry that spans multiple genres and periods. Whether you’re looking for classic works that represent the roots of Bengali literature or modern expressions of art, the Bangla Kobita Platform has it all.

Shabdodweep Web Magazine: A Trusted Source for Bengali Literature

Shabdodweep Web Magazine stands at the forefront of digital platforms dedicated to Bengali Literature. The magazine not only publishes short stories, novels, and articles but also houses an expansive collection of Bangla Kobita. Its commitment to showcasing high-quality literary works has made it a trusted name among literature enthusiasts.

One of the key features of Shabdodweep is its support for emerging poets and writers, providing them with a space to share their work with the world. The works published here are diverse, representing both traditional Bengali Poems and modern-day interpretations of Bengali Poetry. Among the talented contributors is Md Shohidullah, whose poetic works have touched the hearts of many readers.

Md Shohidullah: A Poet on Shabdodweep Web Magazine

Md Shohidullah is an esteemed poet whose work plays a significant role in enriching the Bangla Kobita Platform. His poems are known for their emotional depth and cultural resonance. Through his unique voice, Shohidullah explores themes of love, loss, spirituality, and human connection.

His poetry blends traditional forms with contemporary expressions, making his work both relatable and thought-provoking. His contribution to Bengali Poetry has been instrumental in shaping modern Bengali literature, and his works published on Shabdodweep Web Magazine continue to inspire and move readers.

The Power of Bangla Kobita in Bengali Culture

Bangla Kobita or Bengali poetry has a deep-rooted presence in Bengali culture. It has been a means of expression for centuries, reflecting the values, struggles, and joys of the Bengali people. From the works of Rabindranath Tagore to modern poets like Md Shohidullah, Bengali poetry has continuously evolved while staying connected to its cultural origins.

The Bangla Kobita Platform allows readers to connect with this rich cultural heritage. Whether it’s reading Bengali Poems that reflect the beauty of nature, the intricacies of human emotion, or the power of social commentary, the platform ensures that these voices continue to thrive. The Bengali Rhymes for children, often shared on the platform, introduce younger generations to the poetic traditions of the language.

Why You Should Explore the Bangla Kobita Platform on Shabdodweep Web Magazine

A Wide Collection of Bengali Poetry: The Bangla Kobita Platform offers a broad selection of Bengali Poetry, from classic rhymes to contemporary poems. It’s the perfect place to discover poems that resonate with different emotions and themes.

Diverse Poets and Writers: Shabdodweep Web Magazine features works from a range of poets, including Md Shohidullah, whose contributions have enriched the Bangla Kobita Platform. Discover the unique perspectives of established and emerging poets.

Cultural Preservation: By showcasing Bengali Poems and works of literary significance, the platform plays a crucial role in preserving and promoting Bengali literature. Readers can explore the history, evolution, and future of Bengali Poetry all in one place.

Engagement with a Community: The platform encourages interaction, allowing poetry lovers to share their thoughts, discuss works, and contribute to the Bengali literary world. It’s more than just a reading platform – it’s a space for literary engagement.

Accessibility: Shabdodweep Web Magazine makes it easy for users to access its vast library of Bangla Kobita from anywhere at any time. Whether you’re reading on your phone, tablet, or computer, the platform ensures that your experience is seamless.

FAQ: Everything You Need to Know About Bangla Kobita Platform

  1. What is a Bangla Kobita Platform?

A Bangla Kobita Platform is an online space dedicated to the collection and promotion of Bengali Poetry and Bengali Poems. It hosts works from various poets, ranging from traditional rhymes to modern-day poetry. Shabdodweep Web Magazine is one such platform, providing an expansive collection of Bangla Kobita for literature lovers.

  1. What can I find on the Bangla Kobita Platform?

On the Bangla Kobita Platform, you can find a wide variety of Bengali Poetry, including Bengali Rhymes, classic and contemporary Bengali Poems, as well as stories and novels. The platform also features works from poets like Md Shohidullah.

  1. Why should I visit Shabdodweep Web Magazine for Bangla Kobita?

Shabdodweep Web Magazine is a trusted source for quality Bengali Literature and Bangla Kobita. It features well-curated poetry collections from poets like Md Shohidullah, ensuring that readers have access to meaningful and engaging works of Bengali Poetry.

  1. Can I submit my own poetry to Shabdodweep Web Magazine?

Yes, Shabdodweep Web Magazine welcomes submissions from emerging poets. If you have a passion for Bengali Poetry and would like to share your work with a broader audience, you can submit your poems for consideration.

  1. How does Bangla Kobita reflect Bengali culture?

Bangla Kobita plays a significant role in expressing the emotions, values, and experiences of the Bengali people. Through poems, Bengali culture is preserved, celebrated, and shared with readers worldwide. Shabdodweep Web Magazine helps in keeping this tradition alive by featuring works that highlight Bengali culture and heritage.

  1. How can I stay updated with new poetry on Shabdodweep Web Magazine?

To stay updated with the latest Bengali Poems and Bangla Kobita, you can subscribe to the newsletter or regularly visit Shabdodweep Web Magazine. This ensures you’re always in the loop about new poetry releases and literary events.


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